"Soundgarden's" last album was released on November 13, 2012 !!
This album represents a new beginning for the band, so it should not be labeled as a "comeback" album. But as we time passed by we learned that this is also the album of the "End", the last album the group have recorded with Chris Cornell.
"But it's fate
I only ever really wanted a break
I’ve been away for too long
Though I never really wanted to stay
I’ve been away for too long
I've been away for too long
I've been away for too long"
Back in 2012, the news that "Soundgarden" might reunite and possibly release a new album came as a total shock to us. At that time, Grunge was almost non-existent. "STP" had disbanded in 2010, "Pearl Jam" had drifted far from their early 90s revolutionary days, "Alice In Chains" had lost their essence in 1995, and "Nirvana" needs no explanation. With the only band left in its original lineup hinting at an album release, we felt immediate tremors and a sense of vulnerability. Our hearts were deeply moved by the news.
The return of the band we adore, known for their distinctive, powerful sound and exceptional lyrics, led by one of the world's most talented vocalists, was a thrilling moment. After a 16-year hiatus, we eagerly awaited to discover what surprises our Seattle friends had in store for us. We meticulously absorbed every detail, scoured the internet for hints, and listened intently to unearth what lay ahead. Then, on September 27, 2012, the debut single "Been Away Too Long" was released, offering insight into our current moment, as we immerse ourselves in "Soundgarden's" latest album. Whether attributed to destiny, yearning, or a resurgence from obscurity, this album remains authentic, raw, weighty, and harmonious, reminiscent of their earlier work. It resonates as though it were crafted in the 1990s, preserved in a time capsule, only to resurface over two decades later.
The nostalgic journey started in 2009 when the band members came together to talk about re-releasing some of their music and introducing new merchandise.
Then, in 2010 Chris Cornell surprised everyone on Twitter when he wrote:
“The 12-year break is over and school is back in session. Sign up now. Knights of the Soundtable ride again!”
Back in 2010, the band members initially decided to revisit their old songs, perform a few shows for enjoyment, and leave it at that. However, when they were in the process of recording a new track titled "Black Rain," which was included in the 2010 compilation "Telephantasm," they experienced a resurgence of energy that brought them closer together. The recording sessions for the song evolved into a spontaneous jam session, resulting in the creation of new material and collaborative improvisations involving all band members. At that point, it became evident to everyone that they needed to release a new album!
In the spring of 2011, the "Fantastic Four" began recording a new album at the renowned "Studio X" in Seattle with their longtime producer Adam Kasper. Despite facing challenges, such as interruptions due to Chris' "Songbook" tour, the band managed to release their sixth album in November 2012, marking the end of a 16-year hiatus. Tragically, this album also served as the band's final release before disbanding following Chris' passing in 2017.
(Photo: Justin Borucki)
Looking back in time...
In 1996, the band released "Down On The Upside", their final album before a lengthy 16-year break. It was a daring, diverse album that significantly fueled the musical disagreements and diverse artistic directions each band member wished to pursue. In retrospect, "King Animal" can be seen as more of a continuation of the sound from the album "Superunknown" rather than a follow-up to "Down On The Upside" that came after it...
The album kicks off with the track "Been Away Too Long", where Chris passionately expresses his frustration not only with himself but also with the feeling of being disconnected from others. He is upset about his absence, feeling unrecognized by those around him. The return of Kim's guitar and Chris' distinctive vocals over "Soundgarden"'s rhythmic backdrop is a nostalgic reminder of the band's powerful presence, reminiscent of their earlier days. It is evident from the start that the band has returned with vigor, just like they were 16 years ago. Chris revealed that the song's initial inspiration struck him during a restless night, with the lyrics coming together later in the album's production.
He emphasized that the song's message extends beyond rejoining the band, delving into the broader theme of revisiting a place after a prolonged absence.
The album maintains its impact with the powerful track "Non-State Actor" swiftly followed by "By Crooked Steps", one of the album's standout songs characterized by intricate syncopations and unconventional rhythms. Matt Cameron and Ben form an impeccable rhythm section, while Kim and Chris deliver a heavy and intense guitar riff that captivates the listener.
This amazing song that Chris called "a little weird" sat on an asymmetrical rhythm of 5/4 and was released as the second single from the album. It is interesting to note that its music video was directed by none other than Dave Grohl, an honorary member of the Seattle grunge scene himself.
In the video below he is talking about working with "Soundgarden" on the clip.
Overall, this album has successfully lived up to our expectations as a comeback album from one of our favorite bands, maintaining a consistent high quality throughout.
"A Thousand Days Before" pleasantly surprised us with its oriental rhythm, while "Blood On The Valley Floor" transported us back to the band's early days with its heavy and somber riff. The melodic and captivating "Bones Of Birds" left a lasting impression on us, with Chris' vocals taking us on an emotional journey.
Chris drew inspiration from his children when writing this song, expressing his desire to protect their innocence and shield them from the harsh realities of the world.
"Taree" was originally composed by Ben in 1997 for his solo project "Deep Owl," but he later felt it was better suited for a "Soundgarden" treatment. Chris penned the lyrics during the album's recording sessions, describing it as a tribute to the Northwestern United States, his childhood home.
"Black Saturday" was among the first tracks Chris crafted for the album, drawing musical influences from Paul McCartney and the "Beatles." The lyrics serve as a warning to friends, signaling them to intervene when someone is heading towards dark times, reminiscent of "Fell On Black Days."
The song "Halfway There", as per Cornell, shares lyrical similarities with "Fell On Black Days." Despite feeling more aligned with Cornell's solo work than with "Soundgarden," this poignant track resonates with us on a deep level.
We need to point out (even if it may be somewhat frustrating for you) that while this album is solid and meets our expectations in various aspects, it is missing a standout track, a memorable tune that captivates us, that becomes addictive, that compels us to listen on repeat. Similar to the band's classic hits from the 1990s.
Speaking in a somewhat personal manner, it can be challenging to meet the expectations of fans after 16 years of silence. On one hand, there's a desire to relive the past, to freeze our emotions and relive the sensations we experienced back then, and to hear the beloved band just as we remember them. On the other hand, we have grown and changed, our lives have evolved, and we rightfully anticipate the band we cherish to evolve as well, to be more contemporary and innovative, which may be the discord of this album.
It stirs up emotions from the nineties within us, which is pleasant, nostalgic, and enjoyable, yet once the music stops, it may feel somewhat disjointed and not quite in line with our current state and desire for something fresh. It fades. While we were thrilled to hear Chris with Kim, Matt, and Ben once again, like in the past, there was also a part of us hoping for a surprise, something new and refreshing that would prompt us to include songs from this album in our latest playlist because we have moved forward a bit...
Listen to the album on: Spotify, Apple Music
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