Muse - Will Of the People
- FaceOff - עימות חזיתי
- Aug 26
- 4 min read
Written By: Noam Asulin
Release date - 26.8.2022
Analyzing a "Muse" album can be challenging because each one feels like a complete universe. There's always something new and unexpected to uncover.
While introducing this remarkable band might be unnecessary, "Muse" originates from Teignmouth, Devon, England, and was established in 1994. The power trio includes Matt Bellamy (guitars, keyboards, vocals), Chris Wolstenholme (bass), and Dominic Howard (drums). So far, "Muse" has released nine studio albums, starting with "Showbiz" in 1999. An interesting fact is that Chris initially played drums, but since Dominic already occupied that position, Chris learned to play bass.
The band's most recent album was produced by its members and is described by them as "a greatest hits album – of new songs." This came about in response to their label's request for a "greatest hits" album, which the band refused to create unless it was on their terms. According to Matt Bellamy, the outcome is a collection of the best of "Muse," featuring new versions of all the genres the band has previously explored.
Starting with their seventh album, "Drones," released in 2015, the band embraced a different approach to album themes. Each album focused on a specific theme, with songs centered around it. For instance, "Drones" dealt with the "dehumanization of modern warfare," while "Simulation Theory" delved into "science fiction and futurism."
The album "Will of the People" revolves around a central theme, with lyrics inspired by the uncertainty and instability of the world. The members of "Muse" convey that the Western world and nature, which have long coexisted peacefully, are now facing threats, prompting the need for urgent political action to protect the planet.
Much like its predecessor "Simulation Theory," the new album combines electronic sounds with live instruments such as guitars, bass, and drums. In my opinion, "Will of the People" sees the band striving to return to their rock roots, which characterized their early sound, by reducing the emphasis on the "computer" sound, although electronic and industrial elements remain present.
The opening track "Will Of The People" is a daring glam rock song, inspired by recent global turmoil and protests. Themes include epidemics, wars (even in Europe), demonstrations, riots, attempted uprisings, natural disasters, and the destabilization of the world order. While the song's theme and structure somewhat resemble "Uprising" from 2009, I find "Will Of The People" to be one of the weaker tracks on the album. The repeated phrase "Will of the people" becomes quite irritating to me and doesn't seem to lead anywhere. The verses are the song's strongest aspect.
The next track, "Compliance," is a dystopian synth-rock composition. It begins with a synthesizer that evokes the 1980s and includes lyrics about life in a repressive society. A dominant force seeks to secure the compliance of the weak by promising safety and comfort ("Fall into line, you will do as you're told"). These lyrics are consistent with the band's themes since "Drones". The verses are highlighted by an outstanding bassline from Chris, which significantly elevates the song.
The next track, "Liberation," continues with a similar theme ("We intend to erase your place in history"). This piece has a classical vibe, strongly reminiscent of "The Resistance," featuring piano and multiple vocal layers and harmonies by Matt Bellamy, capturing the spirit of a "Queen" song. Despite these references to the legendary band, it stands out as an amazing and captivating performance (particularly Bellamy's), giving me chills every time I listen.
This album includes some of Muse's most intense tracks, such as the lead single "Won’t Stand Down," known for its rapid tempo, heavy riff, and screams, as well as "Kill Or Be Killed," which is equally energetic and metal-driven. In my opinion, "Kill Or Be Killed" provides a glimpse into the classic "Muse" sound from two decades ago, reminiscent of songs from "Absolution." Significantly, drummer Dominic Howard explores double bass for the first time on this album, reinforcing the impression that "Muse" intended to take some tracks in a somewhat heavier direction.
The fifth track "Ghosts" is a delightful ballad and, in my view, truly remarkable. It draws on the dynamic piano performance and exceptional vocal skills of Matt Bellamy. Speaking of Matt, he sounds fantastic throughout the album, with each song highlighting a different nuance and tone of his voice.
Initially, when I first listened to the eighth and ninth tracks, "Verona" and "Euphoria" respectively, I considered them the album's weakest. However, after several listens, my perspective changed, and I now think these are wonderful songs that also remind me of "The Resistance".
The concluding track, "We Are Fucking Fucked," upholds the powerful and remarkable energy of the album's previous songs. This piece offers a "doomsday vision," implying that our fate is predetermined. ("The black vacuum of the universe, it was designed to swallow us whole").
Before wrapping up, I must highlight the fifth single from the album, "You Make Me Feel Like It's Halloween". This track makes any attempt to classify the album's style unnecessary. It further proves that "Muse" consistently amazes, and even more so. It shows that no matter how prepared you think you are for their surprises, you will still be astonished, as you truly haven't come across a single like this before. This song combines "Somebody's Watching Me" by "Rockwell" with "People Are People" by "Depeche Mode", featuring 1980s synthesizer and computer effects, a guitar solo that momentarily revives Prince... and a music video filled with horror film montages... simply incredible!
In summary, "Muse's" ninth album is an impressive and varied collection. It brings back memories of the "Muse" from twenty years ago while providing a nod to their earlier works like "Absolution" and "The Resistance". I believe a band should evolve and experiment, as long as they don't sacrifice their integrity to the demands of record labels. In this case, "Muse" has successfully balanced expectations with their artistic aspirations. They delivered a wide array of music, perhaps even excessively, ensuring every fan can find at least one song that resonates with them. So, even if you miss the old "Muse", approach this album with an open mind, and you're likely to find moments of enjoyment.
The main drawback of this album is its brevity. With only ten tracks and just 37 minutes of music, it leaves you wanting more.
For Listening: Spotify, Apple Music, YouTube Music, Deezer
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