On September 11, 2015, the fifth album of "Bring Me The Horizon" was released. Titled "That’s the Spirit," the album signifies another progression in the band's evolution and departure from their previous works.
It is highly likely that the original fans of the band are not fond of the transformation the band has undergone, considering this album as a turning point for them. Oliver Sykes (vocalist) and keyboardist Jordan Fish, the band's two main figures, assume control and will carry on leading the band in future albums, exploring the realm of electronic music.
In the previous album, electronic elements were present alongside Sykes' powerful screams, but in this latest release, the electronic components take on a more prominent role. Sykes' vocals have transitioned from intense screams to more controlled and measured roars. The band's early albums were characterized by chaos, frenzied screams, and dark, heavy lyrics typical of death metal, leaving no corner untouched by their relentless sound.
In our view, the album achieves a perfect equilibrium between electronic elements, melodic and serene sections, and the powerful presence of guitars, drums, and vocals. Each song offers a unique gift through this harmonious blend. Let's delve into the music to fully appreciate what we mean...
(Photo: unraveled. eu)
The initial track on the album "Doomed" sets the tone and captivates listeners from the start. Beginning gently and melodically with rhythmic drums, it gradually draws you in with subtle hints of drug inhalation in the background. Then, the chorus erupts, leaving us entranced! The song then eases back into a calm state, showcasing a successful and engaging musical arrangement.
Proceed to the powerful track "Happy Song" on the album, featuring impactful lyrics that hit you hard. You'll find yourself unable to resist jumping along to the energetic drums and guitars, singing in unison with Sykes! An amusing anecdote tied to this song involves the NME Awards ceremony in England, where BMTH was invited to perform. During their set, Sykes impulsively leaped off the stage and began hopping on the tables of the guests. These tables were not occupied by enthusiastic fans but by fellow artists and bands attending the event. Sykes made a bold move by targeting "Coldplay's" table, causing havoc and ultimately breaking it in half with a daring jump. Was this a deliberate statement? This incident sparked significant media buzz surrounding both bands, ultimately boosting the album's publicity. See it for yourself:
Next, we'll proceed to the exceptional track "Throne," the album's second single. Notably, it stands out as one of the more upbeat and hopeful songs on the album. Fish expressed that they had a strong belief from the beginning that this song would make a great single, as his writing seamlessly integrated with the band's contributions, creating a perfect fit. Overall, the album features choruses, verses, and hymns that can serve as inspirational life mottos.
“So you can throw me to the wolves
Tomorrow I will come back, leader of the whole pack
Beat me black and blue
Every wound will shape me, every scar will build my throne!”
In the upcoming track "True Friends," Sykes confronts those who have wronged him in the past. He expresses his feelings of hurt, acknowledges the pain they caused, looks them in the eye, and while he forgives them, he also remembers their actions and will always view them in that light.
Shifting to the musical aspect, the band's earlier albums were characterized by relentless energy without a moment of respite. However, there is a noticeable pause in the song "Follow You," which stands out as one of the band's rare romantic tunes dedicated to the women in the band members' lives. While some longtime fans may be surprised by this change, the exploration continues.
Contrasting with the previous track, "What You Need" introduces a fresh melody and style for BMTH, particularly evident in the verses and c-sections. Sykes uses this song to criticize individuals who remain mentally confined to their upbringing or education, resisting new ideas.
The album delivers another standout with the explosive opening of "Avalanche." This track, a favorite among listeners, showcases the exceptional drumming skills of Matt Nicholls. Sykes delves into his personal journey, revealing his diagnosis of ADHD, recognizing the brain's challenges, and addressing his past struggles with drug addiction as a coping mechanism. This realization marked his initial step towards recovery.
"I need a cure for me, 'cause a square doesn't fit the circle
Give me a remedy, 'cause my head wasn't wired for this world"
The track "Run" commences with sampling and a rhythm influenced by 90s dance music, evolving into a tribal-inspired drumming rhythm. This song stands out as one of the most diverse and unexpected tracks on the album, breaking away from the standard formula and pushing boundaries.
Following is "Drown," penned by Sykes with stadium performances in mind, aiming to energize crowds of thousands. It's designed to sound bold, powerful, and grand, serving as a defining anthem for the band as they ascend to the big leagues.
Highly recommended, crank up the volume!!
In "Blasphemy," the band's evolution is palpable through the incorporation of electronic sampling, effects, and sounds. It's a purposeful demonstration of how this fusion adds depth and a new dimension to the music. We absolutely love it!!
The album's closing track, "Oh No," serves as a satirical take on dance tracks, both melodically and lyrically. Sykes explained that the song reflects on people in their 30s who still cling to a youthful lifestyle as if they were 18.
This album has topped various Billboard charts, marking another significant milestone in the band's musical evolution. Departing from their earlier tough and edgy style, the band continues to explore new musical territories and lyrical themes, and we can't get enough of it!! (Did we mention that we love it?)
Listen to the album on: Spotify, Apple Music
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