On September 28, 1988, Ozzy Osbourne released his fifth studio album "No Rest for the Wicked".
The album marks a significant chapter in Ozzy Osbourne's solo career, released at a crucial time when he needed to re-establish his presence in the metal scene. Coming off a series of personal challenges and facing criticism after "The Ultimate Sin", this album not only reinvigorated his sound but also introduced a fresh lineup that would leave a lasting impact, with the addition of a fifth member - keyboardist John Sinclair, but most notably with guitarist Zakk Wylde who replaced Jake E. Lee after he was fired by Ozzy in 1987.
The album stands as a defining moment in Ozzy Osbourne’s solo career, since not only that it marked a creative resurgence for Ozzy but also introduced guitarist Zakk Wylde, whose signature style would become synonymous with Osbourne’s sound for years to come.
From the outset, Wylde’s impact is undeniable. His gritty, Southern-influenced tone and explosive pinch harmonics give the album a raw energy that redefined Ozzy’s music. Wylde’s playing—marked by furious solos and heavy, chugging riffs—can be heard throughout the record, particularly on tracks like "Miracle Man" and "Bloodbath in Paradise." His arrival signaled the beginning of a new sonic era for Ozzy, with Wylde’s dynamic guitar work becoming an integral part of Osbourne’s identity moving forward.
The album’s opening track, "Miracle Man," is a scathing attack on televangelist Jimmy Swaggart, who had publicly criticized Ozzy. In 1985, Ozzy was "in the spotlight" after a teenager committed suicide and it was claimed that it was because he was listening to the song "Suicide Solution". Swaggart went on a crusade against rock music and took every opportunity to come down on Ozzy. Finally, Ozzy had the last laugh in 1987 when Swaggart was caught with a prostitute and confessed to being addicted to pornography. Wylde’s blistering riffs drive the song, while Ozzy’s snarling vocals deliver biting commentary on hypocrisy.
Meanwhile, "Devil's Daughter (Holy War)" further exemplifies the synergy between Ozzy's dark lyrical themes and Wylde's aggressive, fast-paced guitar style.
Another major factor in "No Rest for the Wicked’s" success was the return of bassist Bob Daisley, a key collaborator from Ozzy’s earlier solo records. Daisley’s contributions to the album’s songwriting and bass lines were crucial, especially in tracks like "Miracle Man" and "Breaking All the Rules." However, Daisley’s involvement wasn’t without controversy, as he later sued Osbourne over unpaid royalties, continuing the legal battles that had previously strained their relationship on the albums "Blizzard Of Ozz" and "Diary of a Madman". As was expected, after the album's recording was complete, Daisley was once again fired, and replaced by Geezer Butler.
The album's thematic content often delves into Osbourne’s personal demons, nowhere more evident than in "Demon Alcohol." The track reflects Ozzy’s own struggles with addiction, blending a reflective narrative with a high-octane arrangement. Interestingly, "Judas Priest’s" Rob Halford stepped in to sing the song during rehearsals when Ozzy faced vocal strain, offering support behind the scenes in a show of metal brotherhood.
Another notable collaboration on "No Rest for the Wicked" came from "Motörhead’s" Lemmy Kilmister, who contributed to the lyrics of "Bloodbath in Paradise." The song, which tackles the horrors of the Manson Family murders, blends Ozzy’s eerie lyricism with Lemmy’s raw, gritty style, giving it an even more sinister edge. Lemmy’s involvement helped deepen the dark atmosphere that permeates the album.
A standout track, "Crazy Babies," showcases a more playful side to Ozzy, with its catchy, rebellious chorus and infectious high-energy guitar riff, courtesy of Wylde. The song feels lighter than the darker themes present on other tracks, yet its punk-like attitude and Wylde's fast, intricate guitar work keep it firmly rooted in the metal genre. "Crazy Babies" reflects Ozzy's defiant spirit and knack for crafting memorable hooks, making it one of the album's more accessible and radio-friendly cuts while still maintaining the heaviness fans expect.
Meanwhile, "Breaking All the Rules" slows down the tempo, giving space for a more brooding atmosphere and allowing Ozzy to explore themes of defiance and freedom. The song is an anthem of independence and rebellion, with Ozzy delivering lyrics about rejecting societal constraints and carving one’s own path. Wylde’s guitar work complements the song's mood, mixing soaring melodies with grinding riffs that underpin the theme of breaking away from norms. The video clip for the song already featured Geezer Butler who replaced Bob Daisley after he was fired from the band.
"Fire in the Sky" It is one of the most beautiful songs on the album. It delivers an epic sound with an amazing intro that builds up towards the entrance, with Wylde's guitar syncopated at a slower tempo, further showcasing his versatility. John Sinclair's keyboard work on this song is one of the best on the album and adds to the epic sound.
The album closes with "Hero," A song on the original album was a hidden track that came after a few seconds of silence. It's a slightly anthemic track that balances grandeur with the album’s darker tones, bringing a sense of resolution to the chaotic journey. It wraps up the record on a note of triumph, despite the storm of heavy themes explored throughout.
It is interesting to note, that the Japanese version of the album included a bonus track named "The Liar" - a beautiful ballad led by John Sinclair piano playing.
"No Rest for the Wicked" also marked a significant career milestone for Ozzy, earning him his first-ever Grammy nomination for the song "Miracle Man" in the Best Metal Performance category. This recognition highlighted the album’s impact and cemented Ozzy’s place as a heavy metal icon in a new era.
For Listening: Spotify, Apple Music
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