On July 24, 1970 "Yes released their second album "Time and a Word".
The album represents a significant step in their evolution towards the intricate and expansive progressive rock sound for which they would later become renowned. Released in 1970, the album is notable for its incorporation of orchestral arrangements, a bold move that sets it apart from its predecessor and hints at the band's ambitious future. The album was initially met with a lukewarm reception and remains somewhat overshadowed by the band's later masterpieces from 1971 to 1974. However, it's a noteworthy album that captures the band's gradual maturation and their early efforts to craft a unique sound distinct from their contemporaries.
Orchestration:
One of the defining features of "Time and a Word" is the orchestral arrangements by Tony Cox. At the time, incorporating orchestral elements into rock music was gaining popularity, and "Atlantic Records", pushed "Yes" for a similar direction. Jon Anderson agreed to have Tony Cox write orchestral arrangements, but the addition of strings and trumpets often overshadowed the band's performances. While ambitious, at times, the integration of orchestral elements enhanced the music, adding a layer of sophistication and drama. However, there are moments when it feels somewhat intrusive, overshadowing the band's performances. Despite this, the experimentation with orchestration is a testament to "Yes's" willingness to innovate and take risks.
Peter Banks's Last Stand:
"Time and a Word" is also notable for being the last "Yes" album to feature original guitarist Peter Banks. Banks faced significant challenges during the recording, including conflicts with producer Tony Colton and frustration with the orchestral arrangements drowning out his guitar work. The tensions eventually led to Banks's dismissal in April 1970, making way for Steve Howe, who would become a key figure in Yes's subsequent success and development.
Highlights:
The opening track "No Opportunity Necessary, No Experience Needed" is an electrifying cover of Richie Havens' song. It opens with an orchestral theme taken from the soundtrack to the 1958 Western film The Big Country by Jerome Morossthis and beeing driven by dynamic orchestral flourishes that add a dramatic edge. Jon Anderson's soaring vocals and Peter Banks's spirited guitar work shine through, setting a high-energy tone for the album.
The second track "Then" is a standout track that features complex time signatures and a rich tapestry of sound. Chris Squire bass playing is brilliant and Tony Kaye's keyboard work is particularly notable, adding depth and texture to the composition. The orchestration here complements the band's performance rather than overpowering it.
The seventh track "Astral Traveller" showcases the band's burgeoning interest in more experimental and spacey themes. Chris Squire's bass playing is both inventive and propulsive, anchoring the song's ethereal atmosphere. Bill Bruford's drumming is precise and dynamic, driving the track forward with an assured touch.
The closing song and the title track "Time and a Word" is a perfect closing number, encapsulating the album's themes of hope and introspection. The orchestral arrangement is minimal, while Anderson's vocals convey a heartfelt message. It's a fitting end to an album that strives to push boundaries.
Cover Controversy:
The album cover also has an interesting history. The original European cover featured bold female nudity in a style reminiscent of Salvador Dali, which was censored in the American release. The U.S. cover showed the band with Steve Howe, who did not play on the album. Howe also appeared in the video clip for the song "Then" adding to Peter Banks's frustration.
Conclusion:
"Time and a Word" is a fascinating snapshot of "Yes" in a period of transition. It captures the band at a moment when they were beginning to explore more complex musical landscapes and experiment with their sound. While not without its flaws, the album's ambition and adventurous spirit are commendable. It may not yet reach the heights of their later masterpieces, but "Time and a Word" is an essential listen for fans interested in the evolution of progressive rock and the early steps of one of the genre's most influential bands. The subsequent arrival of Steve Howe and Rick Wakeman would propel Yes to new heights, but "Time and a Word" remains a significant part of their journey, reflecting their evolving sound and the challenges they faced along the way.
For Listening: Spotify, Apple Music
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