On July, 19, 1993 "Deep Purple" Released its 14th studio album "The Battle Rages On...".
It was the last album for the classic MKII lineup of the band, which reunited for a second time after their initial reunion for 1984's "Perfect Strangers" album. It is also the last "Deep Purple" album to feature Ritchie Blackmore.
The album title appears to reflect the continued tension between the band members, especially between Ritchie Blackmore and Ian Gillan.
The creation of the album was marred by internal conflict and lineup changes. Initially, Joe Lynn Turner who was the band lead singer on "Slaves and Masters" (1992) was involved in the early sessions but was fired, with Mike DiMeo briefly considered as his replacement, after being asked by Ritchie Blackmore to join the band. However, after he recorded some demos with the band, Jon Lord, Ian Paice, and Roger Glover, along with the band's management and record company, insisted on the return of Ian Gillan. Gillan rejoined the band in late 1992, reforming the MK II lineup and reworking much of the existing material intended for Turner and DiMeo. This reworking of material by Gillan allegedly infuriated Ritchie Blackmore, who believed the original versions were more melodic, resulting in Blackmore's departure after a show on November 17, 1993, in Helsinki, Finland.
Undoubtedly, this is not one of the best "Deep Purple" Albums, The contrary. But despite the behind-the-scenes turmoil, the tension between the band members brought a unique intensity to some of the songs on the album. Blackmore's reluctance to reunite with Gillan was evident, but it seems that this friction fueled a creative energy that can be heard in some of the songs.
The title track "The Battle Rages On" is a powerful opener with an oriental influence, like the early "Rainbow" material. Remarkable guitar work by Blackmore, and commanding vocals from Gillan screeming "Kill 'em all", are setting the tone for the album with a strong start.
The follow up "Lick It Up" is a groovy, straight-up rocker with a strong guitar riff and catchy chorus. Though not particularly one of the best in the album, the song stands on its own merits with another great guitar solo and a solid drum beat.
The third track "Anya" is undoubtedly the best on the album. A classic "Deep Purple" hymn featuring divine keyboards by Jon Lord and impeccable performances from all members. The acoustic intro from Blackmore is subtle, leading into a hard rock mood with fantastic keyboarding and a strong guitar solo. Those who has a good ear will definitely notice Blackmore copying from himself, with one of the song riffs resembling the one from the song "Stranded" by "Rainbow", taken from the album "Bent Out Of Shape".
The next track "Talk About Love" is reminiscent of "Led Zeppelin's" "Nobody’s Fault But Mine", especially the Ian Paice drumming. This track is a traditional rock song rooted in Proto-Prog territory, showcasing solid rock and roll with a familiar vibe.
The fifth song "Time to Kill" is a more mainstream one with a catchy chorus aimed for the radio. This song evokes the classic rock era, with a vibe that reminds us of a blend of "Foreigner", "the Doobie Brothers" and "Lynyrd Skynyrd", offering a commercial and catchy tune.
The next song "Ramshackle Man" is a good old rock n’ roll song with a riff reminiscent of "Booker T. & The M.G.'s" "Green Onion" and "Led Zeppelin’s" "How Many More Times", featuring a great guitar solo by Blackmore.
Next comes "A Twist in the Tale" One of the fast numbers on the album, with an incredible rhythm and fabulous drumming by Ian Paice. The song changes direction halfway through, showcasing truly progressive elements. Again in this song, you will notice Blackmore copying from himself, this time from "Spotlight Kid", taken from the album "Difficult to Cure" by "Rainbow".
We are getting close the end with "Nasty Piece of Work" while the groove and tempo sound a bit stock, the organ work at the start and haunting vocal harmonies make it a catchy and enjoyable track. Somehow Gillan's singing and the vibes reminded us of his days with "Black Sabbath" on the album "Born Again".
One of the unique songs on the album is "Solitaire". A standout track with immersive melodies and top-notch performances from all musicians. Ian Paice’s drumming, and Jon Lord's organ solo in particular, shines through repeated listens.
Closing the album is "One Man’s Meat" A heavy, rocking that, while not adding significantly to the album, completes the collection of tracks.
Following the album's release and subsequent tour, Blackmore left the band, and American guitarist Joe Satriani stepped in as a temporary replacement for the remainder of the tour. Some working tracks from "The Battle Rages On" sessions later appeared on Joe Lynn Turner's solo releases under different titles.
"The Battle Rages On" may have received mixed reviews initially, with some critics and fans expressing disappointment. However, over time, it has garnered appreciation for its unique place in "Deep Purple's" history. The album captures the raw, competitive energy of its creators, resulting in a work that, despite its flaws, stands as a testament to the band's enduring legacy.
While "The Battle Rages On" may lack the balance of "Deep Purple's" earlier masterpieces, it is a significant and ultimately rewarding chapter in their storied history. It reminds us that even in the face of internal strife, great art can emerge, enduring the test of time. For those willing to give an underdog a chance, this album proves to be a worthy addition to the "Deep Purple" catalog, blending traditional hard rock with hints of progressive flair.
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