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He is best known as the drummer, co-founder, and leader of the rock band "Fleetwood Mac", here are some facts about Mick Fleetwood: (Photo: Dia Dipasupi) 1. He was born in Redruth, Cornwall, England as Michael John Kells Fleetwood, on June 24, 1947. 2. He spent his early years living in Egypt and Norway due to his father's military service. He attended school in Norway and became fluent in Norwegian. 3. He performed poorly in school, which he attributed to his inability to memorize facts being dislectic, but he nevertheless enjoyed acting during school, often in drag, and was a competent fencer. 4. Fleetwood stands at an imposing height of 6 ft 6 in (1.98 m) and was known for his beard and long hair. 5. His parents recognized his musical talent and bought him a drum kit when he was thirteen. 6. Fleetwood was a self-taught drummer from his early childhood. 7. Fleetwood dropped out of school at 15 and moved to London in 1963 to pursue a career as a drummer. 8. He initially stayed with his sister in Notting Hill and found his first opportunity in music through keyboard player Peter Bardens, later known as "Camel's" keybordist. 9. Bardens gave Fleetwood his first gig in the band "The Cheynes" in July 1963, leading to further musical opportunities. 10. Later in 1966 Fleetwood joined "the Peter Bs" which expanded to "Shotgun Express" (with Rod Stewart ). 11. Peter Green and Mick Fleetwood went to join "John Mayall & the Bluesbreakers", in April 1967. The band also featured John McVie. 12. Green became a supportive bandmate who helped Fleetwood develop his drumming skills. 13. Fleetwood and John McVie were heavy drinkers during their time with "the Bluesbreakers", causing strain in the band. 14. In the end, Green who left the "the Bluesbreakers" invited Fleetwood to join his new band, which eventually became "Fleetwood Mac". 15. Bassist Bob Brunning was replaced by John McVie, solidifying the first fixed lineup of Fleetwood Mac. 16. The initial lineup of "Fleetwood Mac", including Fleetwood, McVie, Green, and Spencer, performed their first gig in August 1967. 17. The name "Fleetwood Mac" was derived by merging Fleetwood's surname with that of the group's bassist, John "Mac" McVie. 18. The band released their first album, "Peter Green's Fleetwood Mac," in 1968. 19. The band recorded their second album released in 1968, "Mr. Wonderful," under the name Fleetwood Mac, dropping Peter Green 's name. 20. Christine Perfect, who would later marry John McVie and known as Christine McVie, became a guest musician and later a permanent member, beginning in "Fleetwood Mac's" third album, "Then Play On," released in 1969. The album also marked a shift in musical style toward a more psychedelic sound. 21. Peter Green 's mental health declined, and he left the band in 1970, leaving Fleetwood and McVie to carry on. The departure of Green led to a period of instability and lineup changes within "Fleetwood Mac". 22. In 1974, "Fleetwood Mac" relocated to Los Angeles, seeking new opportunities and a change of scenery. 23. In Los Angeles, Mick Fleetwood discovered Buckingham-Nicks, a duo featuring Lindsey Buckingham and Stevie Nicks, and invited them to join the band in 1974 . (Photo: Fanart.TV) 24. Buckingham and Nicks brought fresh songwriting and vocal talents to "Fleetwood Mac", revitalizing the band's sound. 25. The self-titled album " Fleetwood Mac " released in 1975 became a breakthrough hit for the band, reaching No. 1 on the US charts. 26. " Rumours " released in 1977, became one of the best-selling albums of all time, with hits like "Go Your Own Way" and "Don't Stop". 27. Fleetwood Mac's album "Tusk" (1979) showcased a more experimental direction led by Buckingham, incorporating elements of punk and new wave. 28. Mick Fleetwood often sang filled pauses along to songs to help keep the beat. 29. Mick Fleetwood had his rack of tom drums arranged back to front. 30. Mick Fleetwood hit his drums very hard, except for his kick drum. 31. Mick Fleetwood has played drums on many of his bandmates' solo records, including Lindsey Buckingham's "Law and Order", where he played on the album's biggest hit, "Trouble". 32. Fleetwood released his first solo album "The Visitor" in 1981 and his second solo album "Something Big" in 2004. 33. in 1983 he released the album "I'm Not Me" under the band name "Mick Fleetwood's Zoo". The band's second album "Shakin' the Cage" was released under the name "The Zoo" in 2004. 34. Together with John McVie Mick Fleetwood is the only member of "Fleetwood Mac" to feature in all of the band's 18 studio albums. 35. Mick Fleetwood has a secondary career as a TV and film actor, usually in minor parts like on of the episodes in "Star Trek: The Next Generation". 36. Mick Fleetwood co-hosted the 1989 BRIT Awards. 37. In 1998, Mick Fleetwood was inducted into the Rock and Roll Hall of Fame as a member of "Fleetwood Mac". 38. Mick Fleetwood has been married to three women and has four children. His first wife was Jenny Boyd - sister of Pattie Boyd the wife of George Harrison and later Eric Clapton . 39. Mick Fleetwood and Stevie Nicks discovered they were more than just bandmates in 1977, they had a short love affair. Jenny Boyd had also been having an ongoing affair with "Fleetwood Mac" member Bob Weston. Weston was ultimately fired from the band. 40. Mick Fleetwood became a US citizen only on 22 November 2006 in Los Angeles. "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

Editor's Choice... And this time on "Marillion's" "Holidays in Eden" album released today in 1991. This is the band's sixth album and second with singer Steve Hogarth replacing Fish on the previous album - "Seasons End" released June 24, 1989. This album combines "Marillion's" familiar progressive tracks with more accessible and commercial tracks. If Hogarth came to the previous album after most of the material had been written, then this album is the first time the band has written as a complete piece, with Hogarth's contribution being very noticeable. How noticeable is it? The music for three of the album's songs - " You Don't Need Anyone ", " Cover My Eyes " and " Dry Land " was already recorded by Hogarth as part of his previous band "How We Live" in 1987, when the song " Cover My Eyes ” was with a slightly different chorus and was called“ Simon’s Car ”. After the song " Easter " from the previous album showed relative success, the record company got an "appetite" and asked the band to work with producer Chris Neil, who among others produced bands like "A-Ha". Chris knew how to strip the songs from the layers of instruments and the sound barrier and make some of them accessible in a more "poppy" way, aimed at a larger audience and the mainstream. Marillion's music suddenly got the sound of bands like "U2" (listen to Steve R othery 's guitar that opens the song " Cover My Eyes "), or sounded for moments like "Bon Jovi's" ballads (listen to " Dry Land " or " No One Can " and imagine Jon Bon Jovi singing them). But along with the "commercial" hits, you can also find some moments that are reminiscent of the good old "Marillion", in this album. Listen to the dramatic opening of " Splintering Heart " and the divine entrance of Steve R othery at 2:36 and say that it does not throw you straight to 1983. Listen to the gloom and melancholy of " The Party " and you will understand its complexity, especially in the amazing bridge section, with syncopations and rhythm changes Starting at 3:20. What a great song it is! Mark Kelly ' s beautiful keyboards, the pounding bass work by Pete Trewavas, and the clever drumming by Ian Mosley and that's even before we mentioned Steve R othery 's crazy guitar solo. Even the three songs that seal the album " This Town ", " The Rakes Progress ", and " 100 Nights " are arranged as a trilogy, in a kind of medley that deals with the impact that the big city has on two people. Indeed, it's not quite the good old "Marillion", but we really like this album, even its more commercial parts. For Listening: Spotify , Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

He is the founder of "The Misfits", "Samhain", and "Danzig". He owns a record label and an adult-oriented comic book publishing company. He influenced many artists especially "Metallica" who covered a few of his songs. Here are some interesting facts about Glenn Danzig: (Photo: IMDB) = He was born on June 23, 1955 in Lodi, New Jersey as Glenn Allen Anzalone. = He began listening to heavy metal music at an early age, and has described "Black Sabbath", "the Ramones", "Blue Cheer", and "The Doors" as his early musical influences. = Danzig took piano and clarinet lessons as a child. He later taught himself how to play the guitar. = Danzig started in the music business at the age of 11, as a drum roadie. = He had never taken vocal lessons. = In his teenage years he sang for several local bands, such as "Talus" and "Koo-Dot-N-Boo-Jang" which combined original songs and "Black Sabbath" covers. = In 1974, three years before forming "The Misfits", Glenn wrote the song “Bullet” as a three-verse poem, showcasing his early talent for blending punk rock with provocative lyrics. = In 1977, Glenn Danzig formed "The Misfits" in Lodi, New Jersey, a band that would become legendary in the punk and horror punk genres. = "The Misfits" released their first single, "Cough/Cool," in 1978. This debut marked the beginning of their influence on the punk scene, characterized by their unique blend of horror themes and punk rock. = In January 1980 "The Misfits" released "Beware" an EP containing the song "Last Caress", later covered by "Metallica". = In 1982, "The Misfits" released their first full-length album, "Walk Among Us", which is now considered a seminal album in the punk rock genre. = The band released their second album "Earth A.D./Wolfs Blood" in 1983. The song "Green Hell" from it was covered by "Metallica". = "The Misfits disbanded in 1983 due to internal tensions and creative differences. This led Glenn Danzig to explore new musical directions. = 7 months after the band's breakup Danzig released the song "Die, Die My Darling" under the name of "The Misfits". This song was also covered by "Metallica". = After the breakup of "The Misfits", Glenn Danzig formed a new band called "Samhain". The band had a darker, more gothic sound and served as a bridge between "The Misfits" and Danzig's later work. = " Samhain" released their first three records — 1984's "Initium," 1985's "Unholy Passion" EP, and 1986's "Samhain III: November-Coming-Fire" — on Danzig's independent Plan 9 label, establishing a devoted cult following. = In July 1986, Rick Rubin saw "Samhain" perform at "The Ritz" in New York City. Rubin was not a fan of "The Misfits" or "Samhain" but recognized Glenn's potential. Rubin signed Glenn to his label and suggested forming a new band named "Danzig". = Songs such as "Twist of Cain" and "Possession," initially intended for "Samhain's" fourth album, were demoed in September 1986 with Danzig on vocals and guitar, Eerie Von on bass, and London May on drums. = After an extensive search, John Christ joined as the guitarist, and Chuck Biscuits was chosen as the drummer, finalizing the lineup for the band "Danzig". = "Danzig" released their self-titled debut album in 1988, produced by Rick Rubin. The album included the hit song "Mother" which became a staple in Danzig's career. = "Metallica's" James Hetfield provided backing vocals on the tracks "Twist of Cain," "Possession," and possibly one other song on the debut album, although he was not credited due to contractual issues. = While credited to Glenn Danzig, "The Hunter" released in 1988 was originally written by members of "Booker T. and the MGs" with Carl Wells in 1967. Danzig made some lyrical changes and took full songwriting credit. = "Mother," initially released in 1988, gained widespread popularity when it was remixed and re-released in 1993, leading to significant mainstream success and heavy rotation on MTV. = Rick Rubin accidentally sent the uncensored version of the "Mother" music video to MTV, leading to the network banning it. The video featured controversial imagery such as Danzig appearing to sacrifice a chicken. = The iconic skull on "Danzig's" debut album cover, also used in "Samhain's" album art, was inspired by the cover of an obscure "Marvel" comic, "The Saga of Crystar"ת Issue 8. = In addition to his music career, Glenn Danzig has ventured into acting and directing. He has appeared in several films, including "The Prophecy II" (1998), and directed horror films and music videos, showcasing his multifaceted talents. = Glenn Danzig founded "Verotik", a comic book publishing company, in 1994. "Verotik" specializes in horror and adult-themed comics, reflecting Danzig's long-standing interest in dark and macabre themes. = The album "Danzig IV," released in 1994, featured a darker, more atmospheric sound compared to previous albums, solidifying Danzig's place in the heavy metal and gothic rock scenes. = Glenn Danzig has released two classical albums, "Black Aria" (1992) and "Black Aria II" (2006), showcasing his versatility as a composer and his interest in classical and dark orchestral music. = In 2016, Glenn Danzig reunited with original "Misfits" members Jerry Only and Doyle Wolfgang von Frankenstein for a series of highly anticipated reunion shows, which were celebrated by fans and marked a historic moment in punk rock history. = Glenn is a fan of horror movies and Japanese animation, influences that have permeated his music and comic book work. = According to the December 2007 issue of "Revolver Magazine", Glenn is a huge fan of the iconic Swedish pop group "ABBA", highlighting his diverse musical tastes. = Glenn has written songs for other musicians, including Johnny Cash and Roy Orbison, showcasing his broad songwriting capabilities. = He is the owner of "Evilive Records", which has released mostly recordings by the "Danzig" band and his own solo albums, further establishing his footprint in the music industry. = In 2020, Danzig released an album titled "Danzig Sings Elvis," paying homage to one of his major influences, Elvis Presley. This album showcases his ability to blend his unique style with classic rock n' roll. = Over the decades, Glenn Danzig has left a significant impact on multiple music genres, including punk rock, heavy metal, and gothic rock. His work continues to influence new generations of musicians and fans. "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On June 24, 1995, "Marillion" released their eighth studio album, "Afraid of Sunlight". This album arrived at a transitional moment in the band's career—their last under EMI and one of the most emotionally and thematically unified works of the Steve Hogarth era. Though not officially labeled a concept album, "Afraid of Sunlight" flows like one. It revolves around the destructive nature of fame and the emotional fallout that trails behind public adoration. The writing process came swiftly after touring in support of " Brave ", with most of the album created in a tight, immersive setting. The band crafted a poignant, sometimes unsettling atmosphere, shaped by characters like Mike Tyson, O.J. Simpson, Donald Campbell, Elvis Presley, Kurt Cobain , and Michael Jackson. These figures serve as avatars for society's obsession with building icons only to watch them burn out. The album opener "Gazpacho"  lampoons the Hollywood lifestyle and seems to refer to O. J. Simpson. opens the album with ambient TV and boxing audio, juxtaposing upbeat melodies with biting lyrics about media exploitation and violent celebrity arcs. "Cannibal Surf Babe"  is a "Beach Boys" influenced track, inspired by late-night horror movies. It acts as a satirical homage to surf music, smuggling in dark subtext beneath its jangly guitars and Mark Kelly's strange keyboards, which correspond with the soundtrack of American '60s B-movie aesthetic. And listen to Pete Trewavas' bass work in the opening minutes, how much it corresponds with that of Geddy Lee . "Beautiful" , the album’s only single, and one of the "Beautiful" and melodic songs written in the Hogarth era of the band. It is a tender plea for authenticity and compassion in a world that punishes vulnerability. It reached No. 29 in the UK charts and remains a staple of the band’s live shows. "Afraid of Sunrise"  and "Afraid of Sunlight"  together form the emotional center of the album. The former is soft and calm like the morning, while the latter bursts into shimmering melancholy and refers to self-destructive thrill-seekers such as James Dean. In between them we cab find "Out of This World"  - arguably one of "Marillion"'s most transcendent tracks—a deeply emotional tribute to speedboat racer Donald Campbell, whose fatal 1967 crash haunted the British psyche. This song give us chills and penetrates our bones. Such a beautiful a melody, such brilliant performance by the whole band and divine presentation of Steve Hogarth. Steve Rothery solo in 2:30 is mind blowing and the melody that comes right after is absolute perfection. The song later inspired diver Bill Smith to look for the actual wreckage, with the main part of the fuselage of Campbell's Bluebird K7 hydroplane being recovered from Coniston Water on March 8, 2001. Both Steve Hogarth and Steve Rothery  were present at the raising, and Rothery produced a photographic record of the event. "Beyond You"  pays homage to Phil Spector ’s wall-of-sound technique, productions and, in homage, was mixed in mono. "King"  closes the album in majestic, sorrowful form—a soaring elegy to artists like Elvis Presley, Kurt Cobain , and Michael Jackson. It embodies the album’s message: we crown our icons and then crucify them. Despite modest commercial performance, "Afraid of Sunlight" has become a fan favorite and a critical high point of "Marillion"'s post-" Brave " catalog. In 2019, it received a deluxe reissue featuring a new stereo remix, surround sound version, demos, new cover and a full live set from Rotterdam in 1995—underscoring its lasting legacy. For Listening: Spotify , Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

Today we will tell you about guitar legend Jeff Beck. (Photo: David Redfern) 1. He was born in Wellington, England on June 24, 1944, as Geoffrey Arnold Beck. 2. At the age of 6 he first heard Les Paul playing the electric guitar with the song "How High the Moon" on the radio. He immediately knew that was what he wanted to do with his life. 3. At the age of 10 he began to sing in the church choir. 4. As a teenager he started playing on a borrowed guitar and at the same time made several attempts to build a guitar himself. 5. It was his sister Annetta who introduced him to Jimmy Page when they were both young boys. 6. After high school, he attended Wimbledon College of Art and worked in casual jobs among other things as a painter. 7. During his college years he played in various bands including "Screaming Lord Sutch and the Savages". 8. In 1963 he formed "the Nightshift" R&B band with which he played at "the 100 Club" Pub on Oxford Street. 9. Later that year Beck switched different bands, when in 1964 he became a sessions player in recordings for "Parlophone" record company. 10. On March 10, 1965, Beck joins "The Yardbirds" on the recommendation of his friend Jimmy Page and replaces Eric Clapton . Beck made his first appearance with "The Yardbirds" just two days after Clapton's departure. 11. The Yardbirds recorded most of their hits at the time Beck was a member of the band, but during his tenure, he was privileged to record only one studio album with them - "Roger the Engineer" from 1966. 12. As The Yardbirds' guitarist Beck uses innovative playing techniques and effects, while influencing younger musicians. 13. Beck was known as a perfectionist and had a hot temper that erupted a lot when he was not happy with his performance. 14. In May 1966 Jeff Beck entered the studio and recorded the instrumental piece "Beck's Bolero", which would be issued 10 months later as part of his solo career. Jimmy Page , Keith Moon , and John Paul Jones are present in the studio during the recordings. 15. A few months later Jimmy Page joins the band as a bass player. Page later became the band's second guitarist alongside Jeff Beck. Beck was officially fired from the band in November 1966, largely due to his perfectionism and warm temperament. 16. In 1967 Beck releases two singles, On one of them - "Tallyman" he also sang. 17. That same year the Pink Floyd band considered recruiting Beck as Syd Barrett's replacement, but Nick Mason noted years later that none of them dared to approach him and ask him to join. 18. That same year he formed the band "The Jeff Beck Group" along with Rod Stewart on vocals, Ron Wood on bass, Nicki Hopkins on keyboards, and Mickey Waller on drums. 19. Along with this band, Beck will release two masterful albums - " Truth " from 1968 which was released as a solo album, and "Beck-Ola". 20. In 1969, after the death of Brian Jones , Beck was asked by the "Rolling Stones" to be his replacement. 21. This is not the only offer Beck received to join a great band. The members of "Pink Floyd" also wanted him to join their band before turning to David Gilmour . 22. In September 1969 Beck tried to create another band with Stewart, bassist Tim Bogert , and drummer Carmine Appice , both from the band Vanilla Fudge, but after a recent accident that caused a crack in his skull the project was shelved and meanwhile, Bogart and Appice joined the band Cactus. (Photo: Ivan Keeman) 23. Beck returns to the music scene after recovering and in 1971 reassembles "The Jeff Beck Group" only with various band members, including drummer Cozy Powell . 24. Together with this band he releases the third album "Rough and Ready" which was released in 1971. The album differs in style from the other two and combines soul, R&B music, and even jazz. 25. In 1972 Beck releases with the band the fourth studio album - "Jeff Beck Group". On this album, Beck deepens his grip on soul music and even performs a cover of Stevie Wonder's song "I Got to Have a Song". 26. That same year he was also featured on Stevie Wonder's song "Lookin' for Another Pure Love" from the masterpiece "Talking Book." 27. After the dissolution of the band Cactus in 1972, Carmine Appice and Tim Bogert become available and they join Beck. The three together form the power trio "Beck, Bogert & Appice" which releases their first and only album in 1973. The band disbanded in 1974 before they had time to release their second album. 28. In 1974 Beck returns to his solo career with the album "Blow by Blow". An instrumental jazz fusion album produced by George Martin. The album features Stevie Wonder. 29. Beck continues the momentum on another album produced by George Martin - "Wired" from 1976. On this album, Beck continues more or less with the musical formula from the previous album, with the addition of influences of funk. 30. In 1980 Beck released the album "There & Back". On this album, he deepens his collaboration with keyboardist Jan Hammer from the "Jan Hammer Group". 31. In 1981, Beck appeared alongside Eric Clapton in a charity show by Amnesty International. 32. In 1983 Beck participates in the charity show "ARMS Concert for Multiple Sclerosis" and plays on stage alongside Eric Clapton and Jimmy Page . This is the first time the three guitarists of "The Yardbirds" are together on the same stage. 33. In 1984 Beck played guitar in the song " Private Dancer " by Tina Turner. 34. In 1985 Beck releases the album "Flash" in which Rod Stewart and Carmine Appice return to collaborate with him. 35. That same year he played on Mick Jagger 's solo album "She's the Boss". Beck will also collaborate with Jagger on the 1987 album "Primitive Cool". 36. In 1989 Beck released the album "Jeff Beck's Guitar Shop". In this album, he plays the electric guitar with his fingers without a guitar pick. 37. In 1990 Beck is featured in Jon Bon Jovi 's " Blaze of Glory " song. 38. In 1992 he participated in Roger Waters' solo album - " Amused to Death ". 39. That same year he rehearsed with "Guns N 'Roses" ahead of the band's performance in Paris. However, due to ear damage caused by drummer Matt Sorum 's cymbals, he became temporarily deaf and did not eventually take the stage at the show. 40. Back in the same year, Beck entered the "Rock Hall of Fame" along with "The Yardbirds". 41. In 1993 he played on Kate Bush's album " The Red Shoes ". 42. Back in the same year, he participated in Paul Rodgers ' tribute album to Muddy Waters - " Muddy Water Blues: A Tribute to Muddy Waters ". 43. In 1998 he played the song " The Guv'nor " from Brian May's "Another World" album. 44. In 1999 he released the album "Who Else!", where he experiences electronics and techno. 45. In 2001, Beck released the album "You Had It Coming" in which the effects of electronics continue. 46. In 2008 Beck plays the piece " Where Were You? " From his album "Jeff Beck's Guitar Shop" at the funeral of keyboardist Rick Wright who really liked his playing, at Wright's own request. 47. In 2009 Beck entered the "Rock Hall of Fame" as a solo artist. 48. That year he hosts David Gilmour on stage in his performance at the Royal Albert Hall. The two play "Jerusalem" and end the show with a performance of "Hi Ho Silver Lining". 49. ​​That same year he plays the song " Black Cloud " from Morrissey's "Years of Refusal" album. 50. In 2010 he releases his album "Emotion & Commotion" The album wins Beck two Grammy Awards. 51. In the same year he comes to Israel for two performances. 52. In 2013 Beck was featured on Roger Taylor 's album " Fun on Earth ". 53. In 2021, two songs were hosted, including the theme song from the album " Patient Number 9 " by Ozzy Osbourne . 54. Beck was a collector of American "Hot Rod" vehicles and has the largest collection of them in the entire UK. 55. Jeff Beck, passed away on January 10, 2023 in a hospital near his home in the south of England and he is 78 years old. The cause of death was meningitis. "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

He's the singer who has accompanied "Testament" on all their albums since its inception, he has a powerful voice and you would not want to meet him in a dark alley. Here are some interesting facts about Chuck Billy who is celebrating his birthday today: (Photo: Liz Ramanand) 1. He was born on June 23, 1962 in Oakland California as Charles Billy. 2. Billy was born to an Indian father and a Mexican mother. He is part of the "Pomo" tribe from Northern California, and is proud of its Native American heritage. 3. The songs "Trail of Tears", "Alegiance" and "Native Blood", were written as a tribute to his legacy. 4. Billy is a cousin of Stephen Carpenter, the founder and lead guitarist of the metal band "Deftones". 5. Already in high school he was part of bands he formed together with his classmates. 6. His first appearance on stage was at "The Stage Club" in California, with the band "Rampage", in 1982. 7. He began his musical career as the lead singer of a local metal band called "Guilt", which also included Danny Gill who would become the guitarist for "Hericane Alice" and "Medicine Wheel". They recorded one demo in 1984 and contributed the song "Down to the City" to the "U.S. Metal Vol. IV" collection. 8. In 1986 Billy joined "Legacy" as a replacement for his childhood friend, lead singer Steve "Zetro" Souza, who recommended him to the band and would later join "Exodus". (Photo: Nuclear Blast) 9. The band changed its name to "Testament" and released their debut album "The Legacy" in 1987. Billy contributed one song to the album called "Do or Die". 10. Since then, Billy has released twelve more studio albums with "Testament" including " The New Order ", " Demonic ", "Practice What You Preach", "The Gathering", " The Ritual ", "Titans Of Creation" and more. 11. Billy and guitarist Eric Peterson are the only ones to appear on any of "Testament's" albums. 12. His singing style has changed over the years considerably, from a clear and high thrash style towards the low and deep death. Since the album "Low" Billy combines the two styles, sometimes within the same song. 13. In 1997 "Testament's" contract with its record company ended and the band thought of breaking up. This sent Billy to audition as Max Cavalera 's replacement in "Sepultura", but he lost that role to Derrick Green. 14. In 2001 Billy was diagnosed with a rare strain of testicular cancer. He managed to overcome the disease with the help of an Indian healing method and by 2003 he had returned to the stages with the band. 15. Remember Steve "Zetro" Souza who recommended Billy to "Testament" members? So Billy replaced him as the singer of "Exodus" in a performance held on October 28, 2004, where the band served as a warm-up show for "Megadeth". 16. Ten years later, in 2014, Billy will participate in in the song "BTK", from Exodus' "Blood In, Blood Out" album. Kirk Hammett was also featured on the album. 17. In 2015 Billy was part of the supergroup "Metal Allegiance" which also included his friend Alex Skolnick . 18. In 2019, Billy appeared as a guest on the song "The Crownless King" by "Killswitch Engage",taken from their album "Atonement". 19. In 2020, Billy appeared in the song "Routes" by "Lamb of God", taken from their album "Lamb of God". 20. "Marvel" lovers will be interested to know that Billy contributed his voice to the "What If ...?" Series, that you can watch on "Disney +" "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

Benjamin is back... Breaking Benjamin's "Dark Before Dawn" album was issued on June 23rd, 2015. So in 2015, Benjamin Burnley made a comeback, he came back all alone, without anyone, after a very difficult period of legal disputes and illness, but he came back big time and for the band's fans, it was the best thing that could have happened. In April 2010 during the band's tour in the US, Burnley started to get sick, he suffered from a combined phenomenon of hangover and flu. The feeling was not foreign to him since he was a very heavy drinker for the past 10 years, but that feeling did not pass after a day or two as usual but lasted longer. Burnley said that after 3 consecutive days of drinking the hangover feeling did not go away and he also started to have symptoms of the flu, headaches, weakness, and fever. He did not even manage to get up and perform. (Photo: billboard.com) At first, he went for tests at his family doctor (he has no supplementary insurance) and the "genius" could not identify what he was sick of, Benjamin tried to check the matter with another doctor but still got no answers. In light of this, he decided to stop everything, take a break from the band and embark on a journey to identify and solve the disease. Well, we did not come here to tell you about Burnley's medical history but there is a reason for it. As a result, he announced that he was taking a break and so was the band until he will found a solution to his medical problem. A year and a bit later the two members of the band, guitarist Aaron Fink and bassist Mark Klepaski received an offer from the band's record company Hollywood Record to release a collection of hits and a remix to their famous single "Blow Me Away" and for that they will each receive $ 100,000. The two members decided to take the offer and the record company did release in August 2011 the album "Shallow Bay: The Best of Breaking Benjamin" as well as a remix of the song in question. When Burnley heard about it, he decided to fire the two members (he fired them via email, they should be thankful there was no WhatsApp then) and sue them for illegal conduct and decision-making without the consent of the band members. Burnley vehemently opposed releasing a completion album and the remix made to the song was his private property only. On the other hand, the two members claimed that Burnley was on a break from the band and had no authority to make decisions or oppose the activities of the other band members. The long conflicts in courts and long complicated arbitration ended in April 2013, it was settled that Burnley gets all the rights to the band name and the two unemployed members can look for their way elsewhere! By the way, three days after Burnley announced the end of the saga, drummer Chad Szeliga announced he was retiring from the band due to disagreements. In parallel with the legal proceedings during the period, Burnley lost his advice and was unable to get answers from the doctors. He visited dozens of doctors and no one was able to identify the problem he had. He said that at one point he was already so frustrated that he took the thick medical folder and slammed it on the floor. Broken and exhausted he decided to turn it all over to create the band's next album in the hopes that it would cure him. He started writing the album while at the same time recruiting a completely new band members: Jasen Rauch guitarist who was in the band RED and contributed to the writing of the album, "Dear Agony", another guitarist who also sings, Keith Wallen from Adelitas Way, a bassist who also sings Aaron Bruch and drummer Shaun Foist who was in the band Picture Me Broken. Apart from the drummer, he knew each member during the band's tour in the past, so he chose them one by one... and to test the dynamics they went on a short tour in 2014, which also included several acoustic performances. (Photo: spotify.com) After a short tour, the members of the new band slightly rubbed in performances together, entered the studio to record the album. The album of course was already written for the most part, except for the opening section and the closing section which Jason wrote. The new members only added their share to the adaptation and lyrics that Burnley had already written on his own. Burnley said in one of the interviews that working with the new lineup was much more fun and creative than with the previous lineup, "So, everyone came to do their job, he knew his role and was goal-oriented and audience-oriented. Here we do everything together with great fun." Burnley is also the one who produced the album, which has happened on previous albums but he never got credit for it. The name of the album is exactly what Burnley went through during the break, from the darkness to the dawn of a new day, with a new lineup he came to prove to himself and especially to fans that the band's all-too-familiar sound was not lost, only improved. Indeed, the album sounds just like the band's previous albums, some would even say that there are songs that are reminiscent of specific performances from previous albums. Breaking Benjamin has its sound, true it sounds or sounds like other bands, but it is still special and consistent throughout all of her albums. Burnley claimed they were not interested in changing that on this album, he did not want to reinvent the wheel or explore new areas. He wanted to put the familiar sound of the band with the power of the new lineup, and we must say that in our opinion he was hugely successful. - Footnote: In the next album you do hear some changes in the sound but it only makes it better !! The album opens with an instrumental opening track that leads to the opening song, which was both the album's first single and the band's most successful - "Failure" . The opening explosion in the chorus put you right into the muse of the album. The second single from the album "Angels Fall" brings Burnley's volume with a slightly gloomier style. In general, the strength of the guitars, Burnley's voice, and the style of the drums are the hallmarks of the band that is well felt in "Breaking the Silence", "Close to Heaven", "Bury Me Alive", "The Great Divide" . The song "Ashes Of Eden" is slightly different and deviates from the band's familiar style, but gives an extraordinary experience and a new definition to the concept of a rock ballad. The song "Dawn" closes the album optimistically and gives a feeling of incredible satisfaction for the whole experience we went through now. By the way, the song combines the voices of Burnley and his wife with the sounds of their eldest child's heartbeat immediately after he is born. As fans of the band this album was a groundbreaking moment for us. The fear that the band had broken up, that it would not be as it was, and waiting to see what would happen were nerve-racking mortals. When the album came out already on the first listen, we breathed a sigh of relief. As if someone took the ice cream from us, but just added hot chocolate to it from above and gave it back to us tastier and more upgraded. On this occasion, we must commend the great tribute show to the band that took place several years ago in the country and hope it will return again. Listen to the album on: Spotify , Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On June 23, 2009, "Dream Theater" released their tenth studio album, "Black Clouds & Silver Linings". This album marked the end of an era for "Dream Theater", as it would be the last studio album to feature founding drummer and creative anchor Mike Portnoy  before his departure in 2010. It was released at a time when the band was embracing their most polished production values, while still maintaining the epic scale and technicality that defined their progressive metal identity. "Black Clouds & Silver Linings" is an album haunted by shadows—loss, trauma, mortality, and recovery—but also infused with light, growth, and grace. It’s an emotionally charged record that captures the band at both a musical and personal crossroads. Produced by John Petrucci  and Mike Portnoy , and mixed by Paul Northfield, the album was recorded at Avatar Studios in New York and leans heavily on extended compositions, layered instrumentation, and autobiographical lyrics. "A Nightmare to Remember"  is a cinematic and thunderous 16 minutes epic piece, recounting a childhood car accident experienced by John Petrucci (as can also be heard from the car accident effects on 3:55 min.). Its fusion of haunting melodies, brutal (near Doom) riffs, and theatrical structure makes it one of the most dramatic songs in the band's catalog. James LaBrie  delivers a soaring clean vocal, which contrasts with Mike Portnoy 's rare growls—adding visceral weight. Jordan Rudess adds more texture with a use of lap steel guitar. "A Rite of Passage" serves as the album’s lead single and its most radio-accessible moment, yet it retains the band’s progressive complexity. Centered around themes of secret societies and Freemasonry, the lyrics are cryptic but intriguing, layered over a powerful rhythmic foundation. The song features a sharp, groove-heavy riff, a melodic catchy chorus, and one of John Petrucci's tightest solos on the album. "Wither"  offers a rare, vulnerable moment on the album—a melodic ballad that explores the creative block and self-doubt that can paralyze an artist. With written lyrics by John Petrucci 's this heartfelt ballad reveals Petrucci 's introspection about the songwriting process itself. James LaBrie 's restrained delivery and the song’s simplicity create a poignant moment of sincerity. "The Shattered Fortress"  is the final chapter in Mike Portnoy 's Twelve-Step Suite—a musical saga chronicling his journey through addiction and recovery. These final parts of the saga, which began on " Six Degrees of Inner Turbulence " album, features reprising and concluding themes and motifs from the suite that began 7 years earlier . By interweaving motifs from the previous parts, this musical piece brings the entire arc to a cathartic conclusion, making it a deeply personal swan song for Portnoy 's tenure with the band. For this end of this personal saga Portnoy also co-sings lead vocals with LaBrie . "The Best of Times"  is a eulogy for Mike Portnoy 's father, written shortly before his passing from cancer ( Portnoy played the song for his father prior to his death). Musically inspired by "Rush" (the second intro on 2:45 Min. sounds like " The Spirit of Radio") , it opens with a hopeful piano and violin motif before evolving into one of the most emotionally stirring tracks the band has ever recorded. It’s a celebration of memory and gratitude, with Jordan Rudess keyboard part at 6:11 Min. and John Petrucci 's solo at 9:59 Min. delivering both tears and triumph. The album closes with "The Count of Tuscany" , a 19-minute progressive epic that ranks among the band’s best long-form compositions. Based on a real-life encounter John Petrucci  had in Italy, it plays like a suspenseful short story set to music—blending mystery, fear, humor, and redemption in one of the most dynamic journeys the band has put to tape. Its breathtaking instrumental sections and emotive finale serve as a towering monument to everything that defines "Dream Theater". The special edition of the album included a third disc of cover songs that served as a tribute to the band’s influences, performed in full "Dream Theater" style. These included faithful and energetic renditions of "Stargazer"  by "Rainbow", "Larks' Tongues in Aspic, Part Two"  by "King Crimson", "To Tame a Land"  by "Iron Maiden", "Odyssey"  by "Dixie Dregs", "Take Your Fingers from My Hair"  by "Zebra", and "Tenement Funster / Flick of the Wrist / Lily of the Valley"  by "Queen". Each track reflected not only the band's technical prowess but also their deep love and respect for classic progressive and hard rock heritage. As part of the tour supporting the album, "Dream Theater" embarked on the “Progressive Nation 2009” tour, which included a long-awaited show in Israel, for the first time on June 16, 2009. The historic concert featured a packed setlist with fan favorites tracks and an epic encore medley including "Metropolis Pt. 1" . In a particularly emotional and memorable moment, the band played an instrumental segment of "Hava Nagila"  as a tribute to the Israeli audience. It remains Mike Portnoy 's only performance in Israel with the band, giving the night an even more profound sense of significance. Upon release, "Black Clouds & Silver Linings" debuted at #6 on the Billboard 200—then the highest-charting release in the band’s career. Critics praised its musicianship and emotional range, and fans embraced it. Still, the album is widely viewed as a late-era triumph and a powerful farewell for the Mike Portnoy  era. For Listening: Spotify , Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On June 23, 1992 "Killers" released their debut album "Murder One". "Killers" (not to be confused with the Alternative rock American band "The Killers"), is a British Heavy metal band formed in 1990 by ex-"Iron Maiden" frontman Paul Di'Anno . Before forming "Killers", Paul Di'Anno had a notable career in the heavy metal scene. As well known, he rose to fame as the lead vocalist for "Iron Maiden" from 1977 to 1981. Di'Anno's powerful and gritty voice contributed to "Iron Maiden's" early success, and their debut album " Iron Maiden " and the follow-up " Killers " are considered classics in the genre. However, due to Di'Anno's personal issues and conflicts within the band, he departed from "Iron Maiden" in 1981. Following his departure, Di'Anno embarked on various musical endeavors. He formed the band "Di'Anno", which released one album and toured extensively. The group showcased a sound different from the traditional New Wave of British Heavy Metal, leaning towards a more Americanized rock sound. After Di'Anno, he joined "Gogmagog", a supergroup project assembled by Jonathan King, including bassist Neil Murray , guitarists Pete Willis and Janick Gers and drummer Clive Burr . Di'Anno then formed "Battlezone", another heavy metal band that released several albums. However, conflicts within the band and issues with drugs and infighting led to its eventual dissolution. Following the breakup of Battlezone, Di'Anno joined "Praying Mantis" for a tour of Japan before forming "Killers" in 1990 along with guitarist Cliff Evans, drummer Steve Hopgood, and bassist John Gallagher. In the beginning they played only "Iron Maiden" songs because they had not written any material, but apparently, that was enough for major record BMG which gave the band a $250,000 contract. Once signed, Killers began writing their debut album, "Murder One," with renowned producer Rob Fraboni. The band relocated to Binghamton, where they worked on the album and developed their own material. "Murder One" showcased the band's musical prowess, blending heavy riffs, melodic hooks, and Di'Anno's distinctive vocals. The album marked a new chapter in Di'Anno's career, as he continued to evolve as a frontman and songwriter. "Murder One" is a sonic journey that immerses listeners in the essence of classic heavy metal, reminiscent of the golden era of the 1980s. The album kicks off with a thunderous opener, the hammer-esque horror-themed " Impaler ", channeling heaviness and setting the stage for the exhilarating ride that awaits. Di'Anno's signature raspy vocals instantly transport you back to the early days of "Iron Maiden", evoking a sense of nostalgia and familiarity. The album continues with " The Beast Arises " which opening riff and Di'anno's vocals will remind you of "Accept". Then comes the first cover " Children of the Revolution " which turns T-Rex's hit into a classic 80's heavy metal tune injecting infectious energy into the choruses and adding two blistering guitar solos. " S & M " features a great bass-drum pattern, melodic guitar lines and powerful Di'anno vocals. " Takin' No Prisoners " brings forth shades of "Queensrÿche" both in Di'anno vocal color and melody, with modified elements from "I Don't Believe in Love". " Marshall Lockjaw " is a fast-paced rocker about a futuristic bounty-hunter whose character is featured on the inside booklet of the album. " Protector " drumming intro threw us back to "The Ides Of March" the opening track of " Killers ", while the power ballad " Dream Keeper " captivates us with its heartfelt lyrics and showcases one of Di'Anno's most compelling performances on the album. As the album progresses, DiAnno continues to show his vocals diversity, yet again sometimes sounding like Geoff Tate in " Awakening ". The album ends with a rendition of the classic epochal power "Iron Maiden's" ballad " Remember Tomorrow ". While the cover may not surpass the original, it still adds to the album's charm. The remastered version of the album includes bonus rehearsal recordings of " Impaler ", " The Beast Arises ", " Marshall Lockjaw ", and " Children of the Revolution ", along with an acoustic version of " Dream Keeper ". These recordings offer a glimpse into the band's preparation process, adds context and enhances the overall experience. "Murder One" represents a pivotal and transitional chapter in Paul Di'Anno 's career. It may not possess the cohesive identity of his previous endeavors, but it showcases Di'Anno's relentless spirit to evolve and explore new musical avenues. With its amalgamation of various metal influences and Di'Anno's distinctive vocal prowess, "Murder One" remains an intriguing testament to an artist's journey of self-discovery. Despite its fragmented nature and the shadows it casts on Di'Anno's future trajectory, "Murder One" stands as a testament to his resilience and determination to forge ahead. While it may not be a groundbreaking or genre-defining release, the album offers a glimpse into the artistic evolution of a charismatic frontman, serving as a reminder of his contributions to the metal landscape. For Listening: Spotify , Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On June 12, 2007, Paramore released their second studio album, "RIOT!"—an explosive, neon-bright scream from the heart of teenage chaos. Before the first chord was even strummed, Paramore was already fighting to survive. Tensions within the band simmered behind the scenes—bassist Jeremy Davis had been briefly expelled from the group, only to be brought back at Hayley Williams ’ insistence. The band’s internal dynamic was a swirl of youth, ambition, and emotional volatility, echoing the very themes that would define this album. And they were still only teenagers. Following the modest success of their debut album "All We Know Is Falling", the stakes were higher. Labels were watching. Fans were waiting. Paramore knew they had to create something bigger, louder, and truer. They didn’t just want to be heard—they wanted to detonate. Photo: diymag.com The band initially considered working with big-name producers like Neal Avron and Howard Benson, but in a bold move, they chose David Bendeth. Bendeth—best known for his work with Breaking Benjamin and Hawthorne Heights—pushed the band hard, shaping their raw energy into sharp, melodic explosions. Recording took place between January and March 2007 at House of Loud in Elmwood Park, New Jersey. It was intense, fast, and focused. Davis didn’t play bass on the record—his parts were recorded by Brian Weaver during his brief absence from the group—but he returned to contribute backing vocals and rejoin the family by the time the album dropped. The result? A riot of color, angst, and adrenaline. "Misery Business"  opens fire like a manifesto. Hayley Williams’ voice cuts through the static like a blade. She isn’t just singing—she’s reclaiming space. What began as a controversial diary entry became one of the most defining tracks of 2000s emo-pop, launching the band into MTV rotation and teenage playlists across the globe. "Crushcrushcrush"  follows with seductive menace. With slinking guitars and an irresistible rhythm, it introduces a darker tone beneath the album’s bright energy. You can almost hear the creative push-pull between Hayley and Josh Farro—tension that would later shake the band apart. "That's What You Get"  is pure pop-punk perfection. It’s heartbreak you can dance to, a tragic chorus wrapped in upbeat guitars. The pain is real, but it’s polished into something beautiful. Hayley belts, “That’s what you get when you let your heart win,” and it lands like a universal truth for every emotionally reckless teen. But the album doesn’t just ride the radio waves. "Let the Flames Begin"  is the spiritual center of "RIOT!"—an anthem of defiance and survival that hints at the more introspective and mature direction Paramore would later take. "Born for This"  closes the record with a fan-fueled, self-affirming roar. The chorus even samples lyrics from Refused, making it a bridge between punk roots and the mainstream stages Paramore was about to conquer. "RIOT!" is urgent. It's loud. It's messy. And that’s exactly why it works. Every drum hit from Zac Farro (and we exploded over and over again on every hit of the snare!!), every guitar squeal from Josh Farro, every line from Hayley, every behind-the-scenes struggle—it all bleeds into a record that isn’t afraid to be vulnerable and volatile. It captures that fleeting, explosive moment between adolescence and adulthood, where identity is fought for in every verse and screamed out in every chorus. Commercially, the album reached number 15 on the Billboard 200 and later went Platinum in the U.S. It wasn’t just a breakthrough—it was a declaration. Paramore had arrived, and they weren’t backing down. "RIOT!" remains one of the most iconic emo-pop albums of its generation, not because it was perfect, but because it was real. It was the sound of a band growing up in public, on fire, and in full bloom. Listen to the album on: Spotify , Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On June 11, 2021 "Mammoth WVH" released its self-titled debut album. "Mammoth WVH" is really a solo project of Wolfgang Van Halen , son of guitarist Eddie Van Halen . Wolfgang served as bassist for "Van Helen" after its reunion, and even participated in the 2012 reunion album "A Different Kind of Truth". Wolfgang later played with Mark Tremonti 's band "Tremonti", recording his two albums " Cauterize " from 2015 and 2016's " Dust ". The name "Mammoth WVH" is based on one of the first names of the band "Van Halen", which in 1972 was called "Mammoth". Wolfgang said he asked permission from his father and uncle Alex Van Halen to use the name, Then he added the letters WVH which are the initials of his name. Wolfgang wrote all the songs on the album, he sang and played all the instruments on it and he was also the one who produced it. Literally a "One Man Show". The first single released from the album was " Distance ", which Wolfgang dedicated to his father Eddie Van Halen after his death. The song was released in November 2020 and Wolfgang said he had no intention of including it on the album, but after his father's death he decided to include it as a bonus track. The clip for this touching song includes photos of Eddie, Wolfgang and the family. The second single " You're To Blame " was released in February 2021 and by then it was already clear to us that it was going to be a simple "Explosion" of an album. An overwhelming and amazing song that showcases Wolfgang's abilities. In the third single " Don't Back Down " Wolfgang proved to everyone what a talented musician he is, with an entertaining clip in which he performs all the singing and playing roles as a one-man-band. Three more simply excellent singles “ Think It Over ” and “ Feel ” released in April 2021 and “ Mammoth ” released in May. We can assure you that the remaining 7 songs on the album are excellent. With no fillers or weak moments, we can declare that this is one of our favorite and surprising albums of 2021. For Listening: Click Here . Song List: 01. Mr. Ed 02. Horribly Right 03. Epiphany 04. Don't Back Down 05. Resolve 06. You'll Be The One 07. Mammoth 08. Circles 09. The Big Picture 10. Think It Over 11. You're To Blame 12. Feel 13. Stone 14. Distance (bonus track) "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

Here are some interesting facts about drummer and song writer Jimmy Chamberlin: (Photo: Drummers Only) 1. He was born as James Joseph Chamberlin on June 10, 1964, in Joliet, Illinois. 2. Chamberlin came from a musical family. His father played clarinet, and his older brother Paul played drums in jazz bands. Paul is still an active rock drummer with a local cover band called Chasing Amy. 3. Chamberlin began drumming at the age of 9 and received early instruction in Latin, Brazilian, and big band techniques, with a focus on jazz. 4. He left home at the age of 15 and joined a series of local bands, honing his drumming skills. 5. His influences as a jazz drummer include Benny Goodman, Duke Ellington, Gene Krupa, and Buddy Rich , while his rock drumming influences include Keith Moon , Ian Paice , and John Bonham . 6. Chamberlin initially joined "The Smashing Pumpkins" in 1988 as a live drummer, replacing the drum machine they used during their early performances. 7. Before joining the band, Chamberlin worked as a carpenter but left his job to move to Chicago and fully devote himself to "The Smashing Pumpkins". 8. Chamberlin's entry quickly pushed the band toward a more powerful and intense sound. 9. Chamberlin's drumming style, characterized by technical proficiency, complex rhythms, and powerful playing, became integral to "The Smashing Pumpkins'" sound. 10. He made significant contributions to the band already with their first album, " Gish ", showcasing his skills and contributing to their distinctive sound. 11. During the recording of the band's second album, " Siamese Dream ", Chamberlin battled with drug addiction and frequently disappeared into the drug underworld of Atlanta, causing concern among the band members. 12. In the midst of their world tour supporting the multi-platinum album " Mellon Collie and the Infinite Sadness ", Chamberlin's father passed away, exacerbating his substance abuse struggles. 13. This was one of the reasons Jimmy was not part of the band's fourth album " Adore ", where the band used other drummers such as Matt Cameron . (Photo: IMDB) 14. On 2001 Chamberlin went on to form the band "Zwan" with Billy Corgan , but the band disbanded in 2003 after releasing their album "Mary Star of the Sea." 15. In 2004, Chamberlin formed his next project, "the Jimmy Chamberlin Complex", and released their first studio album, "Life Begins Again," in 2005. 16. Chamberlin has made guest appearances on numerous albums and live performances, showcasing his versatility as a drummer, one of which is Billy Corgan 's solo album "TheFutureEmbrace". 17. More key collaborations include " The Kelley Deal 6000 ", Jazz saxophonist Frank Catalano and the supergroup "The Last Hard Men" in their Epponymos album from 1998. 18. In 2008, "Gigwise" named Chamberlin the 5th best drummer of all time. 19. While giving drum clinics in late 2009, Chamberlin announced his next project, a band called "This", describing their music as 'progressive, symphonic pop'. They released their first album, a six-track release titled "Great Civilizations," on November 1, 2010. 20. In 2011, a full-length LP of Chamberlin's band, "Skysaw", named ""Great Civilizations was released. 21. In 2016, Rolling Stone ranked Chamberlin 53rd on their list of "100 Greatest Drummers Of All Time." 22. To date, Jimmy released 10 albums with the "The Smashing Pumpkins" and another 10 albums with different artists. "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website