A Sneak Peek... And this time on the band "Van Hagar".... No .. There is no such band, but there were those, including Warner Record Company, who offered to change the name of "Van Halen" after singer Sammy Hagar joined the band. On March 24, 1986, "5150", the band's first album with Sammy Hagar was released. The album title refers Eddie Van Halen 's private studio. "5150" is also the number of section in California law that allows the arrest of a person suspected of being mentally ill and a danger to the public. The album jumped straight to number one on the US Billboard 200, surpassing even the band's previous album " 1984 ", which only reached number two. After parting ways with David Lee Roth "Van Helen" had a hard time finding a replacement to step into the shoes of the charismatic and popular singer. A long list of singers who had been considered as replacements for David Lee Roth was rejected by the band members, before Eddie Van Halen was referred to former "Montrose" singer Sammy Hagar , in July 1985. The one who told Eddie about Sammy, was the mechanic who worked on his Lamborghini. This time it was a match made in heaven and exactly what the band was looking for, so they immediately started working on new songs for the album. The producer of the album is none other than Mick Jones guitarist and leader of "Foreigner". This album has a different and special sound, probably a combination of Mick Jones ' handprint, along with the refreshing addition of Sammy Hagar and the electronic drums and synthesizers of the eighties. Five successful singles were released from the album. " Why Can't This Be Love " was written by Eddie Van Halen on the "Oberheim OB-8" synthesizer he owned. A song with such words we probably would not have received from David Lee Roth , but works perfectly with Sammy Hagar . It was the band's first single with Sammy Hagar as lead singer. He took the band in a more mature, melodic, and of course commercial direction. " Dreams " which is one of the most optimistic songs we know, was the second single released from the album. It is a song that motivates us to pursue our dreams and never give up. It is interesting to note that "Van Helen" refused to release music videos from the album "5150", so Warner recorded made a music video for this song using footage of the US Navy's "Blue Angels", performing a variety of aerial stunts. The cheap visual became a surprising hit on MTV and the U.S. Navy used it as part of their recruiting efforts. The hit ballad " Love Walks In " is actually a song about aliens that can be interpreted as a metaphor for a new love. It was one of the first songs the band wrote together in its new lineup. Believe it or not, but Sammy Hagar is a big believer in alien theory and in his interview with Guitar magazine he stated: "I'm a firm believer - have seen, have felt, have been contacted three or four different times. I have received information that has been valuable in my life from those people, and they have used me. I'm gonna sound like a complete nut here, but they have used me in an experimental fashion. The easiest way to put it is that they downloaded my brain information. When I was about 19 or 20, they downloaded everything that was in my head. And I caught 'em doin' it! I woke up in the middle of the night, thinking, 'What's goin' on?' They were like, 'Oh, my god, he's waking up!' But this was all telepathy - there were no words being spoken. And as soon as I woke up - it was probably 3 o'clock in the morning - my whole room was so bright that I could hardly keep my eyes open. I was wide-awake, I could not move, eyes open, white room, they were still disconnecting - and when they did, it just went bang! Everything went back to normal, back to black. I was shaking, I almost passed out, I was sick to my stomach and almost had to throw up, it was so scary. It sent me on a course of curiosity. I bought a telescope, and I started reading UFO books, and I just got into the whole thing. And since then, there have been three or four other contacts with the same group of people. I don't know who the f--k they are, but I've narrowed them down to a people called The Nine, who are called that because they're from the Ninth Dimension. I've named my publishing company the Nine Music after them. It's a crazy thing, man. But to me, anyone who thinks we're the only ones here, despite the vastness of the entire universe, is f--king crazy. Those people gotta be put away - not the guys having these contacts". The fourth single was " Best of Both Worlds ", a song that Hagar wrote about the rosy future he was watching for "Van Helen" and himself. Interestingly, the band chose to crown its second compilation album, released in 2004, with the same title, as it included songs from the band's two main eras, David Lee Roth 's and Sammy Hagar 's. The fifth and final single released from the album was " Summer Nights ", which opened with Eddie's guitar intro. It was the first song Sammy Hagar recorded with "Van Helen" when he joined the band. Hagar recounts in his book "Red: My Uncensored Life In Rock": "We started playing, and the engineer Donn Landee recorded everything we did. I made up the first line on the spot: 'Summer nights and my radio.' It just popped into my head the first time I heard that riff. The rest of the song I scatted my way through. I really had my scat together. Eddie couldn't believe it. Dave apparently didn't have a good rhythm and wasn't a great singer, didn't have any range. I was singing Eddie's guitar licks with him". The album sold over 6 million copies in the US alone, a quite handsome kickstart, especially considering that this is the band's second incarnation without its charismatic singer - David Lee Roth. For Listening: Spotify , Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

Rockfour's second album, "The Man Who Saw It All" is one of those albums that are hard to digest when released but like a pupa, slowly over time, they turn into a butterfly. Not just a butterfly - they become the butterfly effect. This is an album that was very different in the Israeli music landscape, but over the years has become a milestone and a very big influence. Although today the band has already reconciled with their first album, "Butterfly Network", if you were to ask it then, "The Man Who Saw Everything" is actually its debut album. In 1991, Amir Zoref (guitars), Baruch Ben-Yitzhak (bass), Eli Lulai (vocals and guitars) and Isser Tennenbaum (drums) released Rockfour's debut album: "Butterfly Network". A light-hearted, catchy album that is not really taken seriously and not really what the band wanted to bring out of themselves. So they decided that on the second album, they would do everything the other way around... They decided they were making a more meaningful, deeper album, with different music and lyrics that will take you on a journey and make you wander in thoughts. Amir Zoref left the band and was replaced by Mark Lazar, who took over as bassist while Baruch Ben Yitzhak switched to guitar. This time the quartet decided to move to England to create the second album. They decided that the direction was "Sixties", going hard-core all the way, as rough as possible, purely analog and authentic. They bought 1960s-style amplifiers, drums, and guitars and went in to record the album. Photo: Gony Riskin The writing process was long and varied. Baruch said that they would sit for hours, talking, arguing, and changing the lyrics all the time until they came up with a kind of story or narrative that leads the song. Nothing was prepared in advance and everything was put together like a puzzle. Each song was a puzzle in itself that connected with time and studio work. The band members said that among other things they were very influenced by the band "Pink Floyd", so the psychedelic, instrumental style and the use of stories in the songs were very noticeable. This effect can be heard already in the opening segment, " Suddenly?! " ("Pit-om"), which simply screams "Pink Floyd" to the sky. Most of the songs on the album were not written about a specific event or specific character. They were written mostly out of inspiration to give listeners the opportunity to create the story themselves. " Every Direction " ("Kol Kivoon") was influenced by the style of "Genesis". " Black Velvet " "("Ktifa Shchora") was influenced by David Lynch's movie "Twin Peaks." There were also local influences like in " Hole in the Brick " ("Chor Balevana"), where the band sought a combination of strong pain and despair in the face of hope and faith in redemption. The song was influenced by the difficult events of that period, such as the terrorist attack on bus line 5 in Dizingoff, and more. The band members said they knew they had something good on their hands but they did not believe they would be aired on the radio alongside "Ethnix" and "Eifu Hayeled". Despite this, the live shows were a little different. The shows were attended by 20-10 people who did not quite understand what they were seeing and hearing and were waiting for songs from the first album. But "Rockfour" continued to work hard and perform wherever possible, until slowly the audience grew and formed a hardcore of fans that accompanied them to every show. Many of our local artists said that this album influenced them a lot. Aviv Geffen claimed the album to be the Israeli Pantheon. Ninet Tayeb said that each member of the band taught her to listen and create music, and they helped her form her musical identity. Even Assaf Amdursky decided he was going to develop rock again after listening to this album. For those who have wondered who the guy on the album cover is: this is the drummer's father, Isser. His father would travel the world and photograph himself with an 8mm camera and he always felt he was "the man who saw it all". Now you are welcome to listen to the album on: Spotify , Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On March 23, 1976 "Judas Priest" released their second album "Sad Wings of Destiny". "Sad Wings of Destiny" is the album where "Judas Priest" not only found its wings but started its soaring to the stratosphere of heavy metal legend. Their second studio offering, marks a significant departure from the blues influences that permeated their debut, embracing instead a heavier, more complex, and ultimately groundbreaking sound that would come to define heavy metal for generations. Renowned for its twin guitar-heavy riffs and Rob Halford 's insane vocal range, the album showcases a diverse array of styles, that draws inspiration from a broad spectrum of bands, including "Queen", "Led Zeppelin", "Deep Purple", and of course "Black Sabbath". After the lukewarm reception of their debut album, "Rocka Rolla," "Judas Priest" found themselves at a crossroads. Financial difficulties and a pressing need to evolve their sound loomed large. Believe it or not, when the band started to work on "Sad Wings of Destiny" Rob Halford joked that fans should burn their copies of "Rocka Rolla". And indeed the band entered the studio intending to create an album that blended straightforward rock with a progressive twist. Recorded during an era of significant upheaval for the band, with changes in their sound, style, management and lineup, "Sad Wings of Destiny" was produced under the tight budget of "Gull Records", which offered only £2,000 for the recording. rumors has it that While working on "Sad Wings of Destiny," the band members limited themselves to just one meal daily, with several taking up part-time jobs to make ends meet: Tipton as a gardener, Downing in a factory, and Hill as a delivery van driver. Despite—or perhaps because of—these trials, the album emerged as a poignant testament to the band's resilience and creativity. As mentioned above, "Sad Wings of Destiny" is a masterclass in dynamic range and stylistic breadth. Opening with " Victim of Changes ", a track that transitions from plaintive introspection to raging metallic fury, the album immediately establishes its ambitious scope. Rob Halford 's vocal performance here is nothing short of revelatory, showcasing his incredible range and setting a new standard for metal vocalists with his piercing falsettos. Spanning nearly eight minutes, "Victim of Changes" showcases a broad spectrum of dynamics in rhythm, texture, and emotional depth, featuring intense melancholic guitar riffs, a melodious ballad segment, and expansive guitar solos. The track opens with a twin-guitar intro that hints at classical influences before diving into the aggressive main riff. Its lyrics narrate the tale of a woman whose excessive drinking leads to the loss of her partner to another. The song originated from the fusion of two separate pieces: "Whiskey Woman," a nascent "Judas Priest" track by Downing and Al Atkins (the band's first vocalist) that was excluded from their debut album despite being a favorite in live performances and featuring in early demos, and "Red Light Lady," a slower piece that Halford introduced from his time with his prior band, Hiroshima. This combination resulted in a song that not only captivates with its musical journey but also tells a compelling story. The album continues to dazzle with tracks like " The Ripper ", a short, sharp shock of a song that narrates the tale of Jack the Ripper with menacing precision, with lyrics crafted by Tipton. The dual guitar attack of K.K. Downing and Glenn Tipton, which would become a hallmark of the band's sound, is on full display here, weaving intricate harmonies and solos that meld seamlessly with the rhythm section's formidable backbone, provided by bassist Ian Hill and drummer Alan Moore. This energetic track, dense with driving riffs is influenced by "Queen", especially noticeable in the high-pitched, layered vocal intro and the classically infused dual guitar work. Perhaps the most compelling evidence of the band's evolving musical ambition is " Dreamer Deceiver ". It is a mellow ballad featuring soulful vocals and intense lead guitar solos that act as a prelude that morphs into the hard-hitting,  heavier, next track - " Deceiver " which ends the first side of the vinyl with an acoustic twin-guitar outro. Here, the band skillfully navigates the realms of progressive rock, showcasing their musicianship and ability to craft songs that are as emotionally resonant as they are technically proficient . It is interesting to note, that Al Atkins was credited with contributing to both songs, though he later renounced any participation in them; subsequent releases have since omitted his credit. The second side of the album starts with " Prelude " - a concise baroque-style instrumental piece, shifting between the tonic and dominant keys, and orchestrated for piano, synthesizer, guitars, and tom-tom drums. Contrary to what its name might suggest, "Prelude" shares no musical connection with the subsequent track, " Tyrant " - a heavy guitar-driven track with lots of rhythm changes. Then comes the excellent " Genocide ". An innovative, riff-centric rock song, drawing inspiration from heavy rock classics like "Deep Purple's" "Woman from Tokyo" and "Burn." Rob Halford hoped the song's "vivid and explicit" lyrics would "spark debate and potentially controversy, aiming to engage listeners." The line "sin after sin" from "Genocide" went on to inspire the name of the band's following album. We come close to the "end" with " Epitaph ". a poignant ballad that diverges from the album's heavier fare, offering a reflective and deeply personal moment. The track's piano backing and "Queen"-esque vocals serve as a perfect backdrop for Halford's contemplation on the alienation and disconnection felt in modern society. It's a song that showcases the band's versatility and willingness to explore vulnerability within the framework of heavy metal. Rob Halford has mentioned that the lyrics of "Epitaph" convey a sense of frustration over the absence of a space for both the young and the elderly in contemporary urban environments. Closing the album, "I sland of Domination " is a relentless rocker that encapsulates the darker, more aggressive facets of "Judas Priest's" sound. With its intricate "Thin Lizzy" riffing and "Black Sabbath"-like density, the song is a fitting end to the journey that is "Sad Wings of Destiny". Downing's remarks about the lyrics being personal to Halford, with their playful innuendos, add layers of intrigue to the track, inviting listeners to explore the depths of its narrative. (Photo: Vintageheavymetal.com) "Sad Wings of Destiny" is widely regarded as a cornerstone of heavy metal, influential not only for its musical innovation but also for its thematic depth. The album's cover art, featuring a fallen angel amidst a hellscape, perfectly encapsulates its contents' exploration of duality, destiny, and despair. This imagery would become iconic, contributing to the visual lexicon of metal. Interestingly enough, Judas Priest's 1990 release, " Painkiller ", showcases a winged entity that Halford has identified as a future-inspired iteration of the Fallen Angel from the "Sad Wings of Destiny" artwork. In 2005, with Halford back in the lineup, the band revisited this iconic figure on their "Angel of Retribution" album. This time, the cover art depicts the Fallen Angel's ascent in pursuit of vengeance, a theme echoed in the track "Judas Rising," where the angel sheds his despair to ascend with a newfound sense of hope. Critically and commercially, the album was a slow burner, gaining recognition and acclaim over time as "Judas Priest's" influence and popularity grew. It's now considered a seminal work in the heavy metal genre, influencing countless bands and musicians with its complex arrangements, lyrical depth, and pioneering spirit. "Sad Wings of Destiny" stands as a monumental achievement in the annals of heavy metal, marking the moment "Judas Priest" asserted themselves as architects of the genre's future. It's a richly textured, emotionally charged, and musically sophisticated record that laid the groundwork for the band's legendary career. Over time, its influence has only grown, cementing its place as an essential pillar of heavy metal history. For listening: Youtube "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On March 23, 1979 "Van Halen" released their second studio album "Van Halen II". After the explosive impact of " Van Halen " released in 1978, expectations were sky-high for the band's follow-up. "Van Halen II", largely follows the same blueprint of in-your-face hard rock, infectious energy, and Eddie Van Halen ’s groundbreaking guitar work, but with a slight stretch of the band's sound on a more lighter and poppier direction. Many of the songs on the album was written prior to the release of " Van Halen ", and was part of the demos recorded in 1976 by Gene Simmons . While "Van Halen II doesn't quite capture the raw, revolutionary magic of the debut - " Van Halen ", it remains a strong sophomore effort that showcases the band’s growing confidence and songwriting prowess. The album kicks off with " You're No Good ", a cover of the 1963 Betty Everett song, previously popularized by Linda Ronstadt. Although "Van Halen" gives it a heavier, more aggressive edge, it was a strange pick, the set the tone for the record’s slicker production and looser feel. The song intro is played by Michael Anthony's bass guitar with Flanger effect, followed by Eddie Van Halen ’s swelling guitar chords, using the guitar volume control. Next up, The hit single " Dance the Night Away " is one of the album’s most enduring tracks. With its bouncy calypso rhythm and poppy infectious chorus, it’s one of "Van Halen’s" most radio-friendly moments and a clear indication of their pop sensibilities. " Somebody Get Me a Doctor " brings back the grit and swagger, fueled by Eddie’s scorching riffs and David Lee Roth ’s charismatic wails. It’s a classic example of "Van Halen’s" raw energy and playful bravado of their debut album. " Bottoms Up! " is a bluesy, barroom rocker with a rowdy vibe that foreshadows the band’s knack for carefree anthems. " Outta Love Again " is funkier than any of "Van Halen's" earlier material, that highlights Alex Van Halen ’s thunderous drumming. " Light Up the Sky " is one of the album’s heaviest tracks, featuring intricate guitar work, great bass playing and even a short drum solo, that gives it a unique place in the band’s catalog. A surprising standout is " Spanish Fly ", an acoustic instrumental piece that serves as a "classical" counterpart to "Eruption" from the debut. Eddie Van Halen ’s classical-inspired fingerpicking proves his virtuosity isn’t limited to electric shredding. The closing tracks, " D.O.A. ", " Women in Love… ", and " Beautiful Girls ", reinforce the album’s upbeat, no-frills approach. " Beautiful Girls ", in particular, is a sun-soaked, good-time rocker that perfectly encapsulates "Van Halen’s" party-rock ethos. While "Van Halen II" didn’t redefine rock like its predecessor, it solidified the band as a dominant force. The album’s singles and deep cuts have stood the test of time, becoming staples of classic hard rock radio and live performances. It also demonstrated the band’s ability to balance hard-hitting rock with more accessible melodies, paving the way for future hits. For Listening: Spotify , Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

He is mostly known for being part of the bands "Blur" and "Gorillaz" but has a number of other ensembles and even some supergroups, he writes, produces, and he is a talented musician with years of creativity. Here are some interesting details about the English guy Damon Albarn who was born on March 23, 1968. (Photo: Linda Brownlee) 1. Albarn's first job was at the age of 6 months when he served as a "tester" for games and aids for young children at his father's play company "Playlearn", Ltd. 2. His first appearance was when he was a year old at the performance of the Osmonds, a band of five Jackson-5 brothers. 3. From a young age he loved music and played guitar, piano and violin. He also loved to write music and even won a song competition in a national competition "The Young Composer". 4. In high school he did not really integrate and found refuge in drama classes and plays while taking actor roles in a number of plays at school. There he met Graham Coxon (Blur guitarist) when he also played in school plays and from there the two became good friends. 5. He wanted to develop an acting career and started studying at "East 15 Acting School" but very quickly he got tired of studying and even before the end of the first year he left. 6. After leaving school he started working in the recording studio "Beat Factory" where he collaborated with several bands including: Two's a Crowd, Aftermath, and Real Lives. 7. He began studying music at "Goldsmiths College" in 1988 when he was a member of the band "Circus" with his friend Graham guitarist and drummer Dave Rowntree. They added their classmate, bassist Alex James and changed their name to "Seymour" but in March 1990 they changed their name again to "Blur" before signing a record deal with "Food Records". (Photo: Blur) 8. The band's first single was "She's So High", in October 1990, it failed to bring the band the breakthrough it had hoped for. But in April 1991, after teaming up with producer Stephen Street, they released the single "There's No Other Way" which became a hit and starred at the top of the charts. 9. The band's first album was released in August 1991 and was called "Leisure". After the release of the album, the band embarked on a tour in the United States, which became a diligent failure, and over time the band was fed up with the American culture. Which caused a strong longing for English culture. 10. Albern is the one in charge of writing in the band and the longings made him write an entire album about English culture. The band's second album "Modern Life Is Rubbish" was released in May 1993. Here the band switched to British guitar-pop style as Albern writes humorously about life and dreams in the suburbs of England. This album has already had greater success in the UK but has struggled to reach the US charts. 11. The album "Parklife" released in April 1994 launched the band straight into outer space... The single "Girls & Boys" conquered the charts and remained in first place in England for 90 weeks. Graham said, that was the point where the band turned from an alternative niche band to a pop sensation. 12. In September 1995, the band's fourth album "The Great Escape" was released. Although the single "Country House" competed against the "Roll With It" single from "Oasis" and won, the band lost its stardust and became a big loser. The situation greatly affected Albern who went from hero to loser. 13. The band released four more albums: "Blur" in 1997, "13" in 1999, "Think Tank" in 2003 And "The Magic Whip" in 2015. 14. Albern's second big project is the virtual band "Gorillaz". In 1990 he met with comic artist Jamie Hewlett and together they formed the band, with the two being the only prominent members of the band and in each album and performance the other musicians change. The two got the idea when they shared an apartment together and watched MTV excessively, they felt they needed something that would look different in the MTV landscape and make viewers think and imagine. The band combines styles of Britpop, hip-hop, rock, and pop. (Photo: Gorillaz) 15. The band's debut album bearing the band's name was released in March 2001 and instantly turned into a hysterical hit and rising star with sales of over 7 million copies. 16. The band's second album "Demon Days" was released in May 2005 and continued the success with five Grammy Award nominations and winning one award for Best Pop Collaboration with Vocals. 17. They released six more albums: "Plastic Beach" and "The Fall" in 2010, "Humanz" in 2017, "The Now Now" in 2018, "Song Machine, Season One: Strange Timez" in 2020 and "Cracker Island" in 2023. 18. In 2002, Albern released his first solo album "Mali Music". 19. In 2003 he released his first EP "Democrazy" which consisted of demo songs he recorded in hotels during the "Blur" tour. 20. In 2011, Albern released his second solo album "Kinshasa One Two" in which he collaborated with over 10 producers and more than 50 artists. He recorded the album for 9 days during which he stayed in the Congo to celebrate and enhance the local music and independence of the Democratic Republic of the Congo. 21. In 2007 he formed a supergroup called "The Good, the Bad & the Queen" with Clash bassist Paul Simonon, guitarist Simon Tong, and drummer Tony Allen. The band has released two albums: "The Good, the Bad & the Queen" in 2007 and "Merrie Land". 22. In 2008 he formed another supergroup called "Rocket Juice & the Moon" with musicians Flea from Red Hot Chili Peppers and Tony Allen. They released a single album in 2012. 23. Albern has worked with other ensembles and artists as a writer, composer, and producer including The Strokes, Bobby Womack, De La Soul and many others. 24. In 2014, Albern released his third solo album and perhaps the only one considered personal and independent called "Everyday Robots", the album received rave reviews and even reached number two on the UK charts. 25. In 2021 he released another Solo album "The Nearer the Fountain, More Pure the Stream Flows". It was originally planned as an orchestral piece inspired by the landscapes of Iceland, but Albarn expanded the project into a full-length album during the COVID-19 pandemic in 2020. 26. On February 2023, the band "Gorillaz" released their eighth album "Cracker Island", this time with a distinctly pop and synth-pop direction. The album was mostly produced in Los Angeles together with Greg Kurstin, and emerged from ideas originally intended for another season of the "Song Machine" project that was ultimately shelved. Alongside Damon Albarn, the album features names such as Stevie Nicks, Tame Impala, Bad Bunny, Beck, and Thundercat. The album reached number one on the UK Albums Chart, marking the band’s first chart-topping release since "Demon Days", and also entered the top 3 in the United States. In addition, it received a nomination for Best Alternative Music Album at the 66th Grammy Awards. 27. On July 2023, the band "Blur" returned with their ninth album "The Ballad of Darren", their first since "The Magic Whip" from 2015. The songs were written by Damon Albarn during the "Gorillaz" tour in 2022, and the album was produced by James Ford at Studio 13 in London and Devon. It is also the band’s shortest album, running under 40 minutes. The album’s title is a tribute to Darren "Smoggy" Evans, the band’s longtime security guard, and the cover is based on a 2004 photograph by Martin Parr taken at a swimming pool in Scotland. "The Ballad of Darren" received positive reviews and became "Blur"’s seventh consecutive number-one album in the UK. It also entered the top ten in several countries, including the United States. 28. In February 2026, "Gorillaz" released their ninth album "The Mountain". The album was recorded across India, London, and additional locations, blending influences of Indian classical music with the band’s signature electronic and pop sound, including performances in multiple languages. As is typical for "Gorillaz", the album features an especially wide range of guest artists such as Asha Bhosle, Johnny Marr, and Black Thought, alongside posthumous appearances from past collaborators. So let's finish with this review with this album, listen on: Spotify , Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On March 23, 1998, Iron Maiden's 11th (XI) studio album "Virtual XI", was released, and indeed, in a sense it was "virtual"... Why "virtual"? because in a sense "Iron Maiden" sounds on this album like an imitation of themselves. It's the album where they went furthest from their roots and probably also the band's weakest album in all of its amazing repertoire. Farthest from their roots we said? So let's start with the fact that with all due respect to Blaze Bayley he is not Bruce Dickinson and although he is not a bad singer at all, he does not match the band's DNA. We will continue with the fact that this album includes a massive use of keyboards. Not guitar synthesizer effects, not the little additions that Michael Kenney plays throughout the bands album, but full keyboards that Steve Harris plays on three of the album's eight songs. Want more? So "Virtual XI" is one of three albums that do not include a theme song which is the same as the name of the album. True, the previous album with Blaze Bayley "The X Factor" is another one of three. If that's not enough, then it's the only "Iron Maiden" album whose closing song "Como Estais Amigos" was not written by Steve Harris , but by Janick Gers and Blaze Bayley , and happens to be one of the only two songs of "Iron Maiden" whose title is not in English (the other is" El Dorado "from the album " The Final Frontier "). And finaly this is the only "Iron Maiden " album that to date has not passed the million album mark, in sales. and yet... This album has some precious gems, most notably " Futureal " written by Blaze Bayley and Steve Harris and selected in a 1999 by "Iron Maiden" fan poll, as one of the band's popular songs, and "The Clansman " written by Steve Harris inspired by the movie "Braveheart" With Mel Gibson and tells of the Scots' attempt to gain independence from Britain in the Middle Ages. Both songs were performed live even after Bruce Dickinson 's return, the last of which was performed even in the band's last tour. True, all the other songs on the album fall short of these two, but there are still some good songs here that manage to keep this album afloat and make it a well-deserved one. " Do Not Look to the Eyes of a Stranger ", one of the most interesting and special songs of "Iron Maiden" written by Steve Harris from the point of view of a worried father about the dangers that exist in the world. And there's the " Lightning Strikes Twice " defined by Steve Harris as a "Never Say Never" song, the philosophical " Educated Fool " that describes the life of an adult man and especially the amazing ending song " Como Estais Amigos " which is a tribute to soldiers who fought on both sides of the Barricade in the Falklands War - a one-time song, unique and different from Maiden's familiar style. The first single released from the album and deals with someone who is not afraid to take risks " The Angel and the Gambler ", is one of theweakest on the album and we would define it as a strange choice to represent the album. It is interesting to note, that during the sessions for the album 4 more songs were written: " Nomad ", " Dream of Mirrors ", "Mercenary" and " Blood Brothers ". These songs will wait a year until the return of Bruce Dickinson and Adrian Smith and they will surf up on the album " Brave New World ". For Llistening: Spotify , Apple Music . "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On March 22, 1994, Pantera's seventh album, "Far Beyond Driven", was released. So after we told you " The Rise of the Transformers of Metal ", And on Revenge of the Transformers of Metal - "Revenge of the Fallen " , Today it is the turn of the third episode in the series: The Transformers of Metal !!! "Dark of the Moon ". As the blue cover of the album "Far Beyond Driven" reveals, the third episode of the series puts us under "Darkness of the Moon" - the period of the transition of "Metal Transformers" from light to darkness, which will begin on the next album, " The Great Southern Trendkill ", when the band members could not even be in the same room together and will have to record it in two different studios. Read more about the beginning of the "Dark Ages" here : After the meteoric rise of the "Transformers of Metal" (hereinafter also: "Pantera"), and after avenging the "Decepticons", the "Transformers of Metal" were unaware of the fact that the darkness of the moon was approaching. Although they had a goal, to continue with all the power and strength shown on the previous album - " Vulgar Display of Power ", something started to eat them from the inside. The band members set the goal even before they wrote one song for the album. They had a name for an album meant to represent the direction they were going - "Far Beyond Driven". They intended to take the anger, power, and intensity from the previous album even further than they have done so far. They thought of shaking, shocking, sawing, and drilling into our brains, as the album cover reveals. But then, Phil Anselmo 's drug and alcohol problems got worse. He suffered a back injury and a herniated disc and began using hard drugs, alcohol, and painkillers on a regular basis to soothe the pain. He wrote the song " I'm Broken " about the pain he experienced while creating the album. He felt vulnerable and broken, and that was his cry for help. The "Decepticons" (the record companies) did not give up either. They continued to put pressure on the "Transformers of Metal" to produce a more "friendly" album, similar to what "Metallica" did with " The Black Album ". Despite all this and against all odds, the "Transformers of Metal" managed to get out of the "darkness of the moon", overcome the crisis and produce their first album to reach number one on the Billboard 200. It was also their fastest-selling album and the heaviest album in history to reach #1 on the Billboard. Transformer "X-Men" Darrell Lance Abbott changed his shape again. He began to grow a "goatee", switched to shorts and a sleeveless shirt, and wore a pendant of a razor blade as a homage to "Judas Priest" - the "blasters" bombers. He realized that the name "Diamond" could no longer fit his new appearance and so he adopted the name Dimebag Darrell . The band changed their weapons, changed the tuning of their instruments, and lowered them in a tone and a half, to sound even heavier than the previous albums. They opened the album with all their might and force, with an exploded sequence of songs. " Strength Beyond Strength " marking the rate of fire of the Transformers' and their unprecedented attack. Indeed they demonstrate here "Power Beyond Power", with the perfect Mosh Pitt song. Dimebag Darrell 's sawing guitars, Phil Anselmo 's roars, Rex Brown 's fist bass and the two sledgehammers in Vinnie Paul 's hands, simply did not leave the "Decepticons" any chance and it was already clear to them that in this battle they had lost. But the arrows were pointed at the "Transformers of Metal" from other directions as well. The dominance of "Grunge" grew, the "alternative" established its status and the "Britpop" threatened to conquer America. These changes in the world music map have led bands like "Megadeth", "Anthrax" and "Slayer" to change their sound and write more accessible material. Even bands like "Sepultura" introduced additional motifs to metal, so Transformers had no choice but to react and forcefully. The song " Becoming " is the band's response to what was happening around them. With Vinnie Paul 's crazy double bass bombardment and Dimebag Darrell 's new whammy effect, the band announced to those around them that they are here, and they intend to stay in Metal and even take it to a more extreme place. " 5 Minutes Alone " completes the crazy opening sequence, with one of the band's greatest riffs. The song was written about a confrontation that occurred during the band's performance in San Diego, on the tour of the previous album. One of the front row fans teased Phil Anselmo , who in response sent the audience to beat him. That boy's father asked for "only 5 minutes" with Phil, of course, there was also a law suit in the background, and that was what led Phil to write the song. After a streak of four excellent songs, the album takes a turn and the battle is no longer in full control of the "Transformers of Metal". We have to stop for a while for "injury time" with " Good Friends and a Bottle of Pills " - an obscure and experimental track, probably one of the dirtiest songs ever written, with repetitive of the F%$@ word. The Transformers lose their way in navigation, blabbering on and searching for themselves with " Hard Lines ", " Sunken Cheeks " and it looks like another " 25 Years " will pass before they find themselves. But the "Transformers of Metal" manage to pick themselves up and fight back a harsh war with tracks like " Slaughtered " that just slaughters everything around it and " Shedding Skin " that aimed to scalp the "Decepticons". Towards the last and heroic battle "Pantera" manages to surpass itself with the amazing " Throes of Rejection ", giving the Transformers victory, but at a great cost. We say goodbye to the heroic warriors with " Planet Caravan " in the background - the excellent cover of "Black Sabbath" that leaves us in uncertainty about the sequel. Although this album falls short of its predecessor, its historical significance has been immense. This is an album that kept the Metal embers burning during difficult times, when there was not enough combustible material around. It's the heaviest and most powerful album to reach number one on Billboard and it was a right-wing marker for everything the Metal world will create later. Despite all this, this album also marks for us the beginning of the end of this great band and it foretells what awaits the "Transformers of Metal" beyond the "Darkness of the Moon" ... For Listening: Spotify , Apple Music . "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On March 22, 1963, the debut album of "The Beatles" - the most important and influential band in the history of modern music, was released. An album whose 32 minutes changed the history of music as we know it. So here are some interesting facts about "Please Please Me": 1. Most of the album was recorded over 12 hours in one long session held on Monday, February 11, 1962, from 10:00 a.m. to 10:45 p.m. 2. The total cost of the recordings was only £ 400. 3. The album features 8 original songs and 6 cover versions of songs that the band member loved. 4. The credit for writing all the original songs on the album was given to "McCartney-Lennon", regardless of the identity of the actual writer. This is the only album whose credit will be noted in that order. In all the other albums and songs released by "the Beatles", the credit for writing the songs was recorded as "Lennon-McCartney". 5. John was sick on the day of the recordings. The last song recorded was " Twist and Shout " because producer George Martin wanted to keep his voice. The song was recorded in one take after John Lennon was singing for 13 consecutive hours of recordings and the result can be heard in the version featured on the album. 6. The session was so fruitful that the band managed to record another song - " Hold Me Tight ", which eventually did not enter the album and was used for the next album - "With the Beatles". 7. The entire album was recorded on 2-channel tape with the instruments compressed into one channel, while the vocal parts are crammed into the other channel. This made it easier for George Martin to balance the recordings for the mono version that was customary at the time. 8. Martin also performed a mix for a stereo version, except for the songs " Love Me Do " and " P.S. I Love You ". 9. George Martin initially asked to record the album in a live performance at the Cavern Club, which was the Beatles' home club in Liverpool. 10. He initially thought of giving the album the name "Off the Beatle Track". His offer was rejected and he used the name for a symphonic album of "The Beatles" songs, which he released in 1964. 11. George Martin was an honorary member of the London Zoo, so he wanted the album cover photo to be taken at the zoo. Luckily the zoo did not like the idea. 12. The photo was eventually taken by photographer Angus McBean on the inside stairs of the EMI building in Manchester Square, London. 13. The band approached Angus again in 1969 with a request to recapture the moment with a photo for the cover of the album "Get Back". The album was finally released a year later as "Let It Be" and other photos were chosen for the album cover. 14. Eventually the photo taken in 1969 was used for the double collection album "Retrospective 1967-1970" which was released in 1973, while another photo taken in the original session of 1963 was used for the first collection "Retrospective 1962-1966". 15. The song " Please Please Me " is Keith Richards ' favorite song of "the Beatles". An acoustic cover version of Richards playing the song can be heard here: 16. The song was influenced by an old Bing Crosby song called "Please". 17. The first version of the song sounded like a ballad by Roy Orbison. George Martin did not like the way the song sounded and he request that the song will be more rhythmic and happy to fit the lyrics. 18. The album in its original configuration was released in the United States only in 1987. In its place, the band released in 1964 the album "Introducing ... The Beatles", which included a different list of songs. 19. Believe it or not, Paul McCartney admitted coping the bass role for the song " I Saw Her Standing There " from Chuck Berry's song "Talkin 'About You". 20. " Love Me Do " was recorded twice before the album recordings. The first time on June 6, 1962 when the drummer was Pete Best and the second time on September 4, 1962 with Ringo Starr on drums. 21.For the album's version drummer Andy White was recruited by producer George Martin, who did not like the previous two versions. George Martin later apologized to Ringo Starr for replacing him. 22. Andy White was also the drummer in the song " P.S I Love You ". 23. The album reached number 39 on the "Rolling Stone" magazine's list of 500 greatest albums of all time. 24. Two songs from the album entered the list of 500 greatest songs of all time: " Please Please Me " and " I Saw Her Standing There". For Listening: Spotify , Apple Music . "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

Written By: Moti Kupfer Release date - 22.03.1990 "Violator was the last album we enjoyed creating together" In an interview he gave to NME, Martin Gore reflected on what happened to the members of "Depeche Mode" as they evolved from a successful synth-pop band into a stadium-filling act with massive hits. That metamorphosis was fully completed after "Violator". The next album would go on to drive a wedge between the band members, one that nearly tore everything apart. Following the "Violator" tour, the band took a long break. When they returned, it became clear that producer Flood had another bold idea: to rent a villa in Madrid where they would live and record together while working on their next album, "Songs of Faith and Devotion", released on March 22, 1993. Since the formation of "Depeche Mode", the band members had been used to coming into the studio, recording, and then going home. This was the first time they actually lived together outside of a touring environment. A sense of suffocation began to build, and the atmosphere quickly turned uncomfortable when it became clear that frontman Dave Gahan had used his private time in Los Angeles to develop a dangerous new addiction: heroin. Gahan connected in Los Angeles with bands like "Soundgarden" and "Jane’s Addiction" led by Perry Farrell. He began gravitating toward the dominant genre of the early ’90s, grunge, adopting the look of a rock star. He became thinner, covered in tattoos, and envisioned taking the band in a completely different direction than before, with a much stronger emphasis on rock, live playing, and jamming. The question remained, was there room for all of this alongside their electronic identity? "The beginning was frustrating and painful, like pulling teeth", as producer Flood described it. The jamming sessions and use of live instruments made things difficult for the members of "Depeche Mode", who were used to working with computers. An entire month passed without the band producing anything. Only after leaving the Madrid villa and moving to Hamburg did things begin to move in the right direction. The intense emotional pressure and internal tensions pushed the band members to extremes, and from that darkness emerged some of the greatest songs in the history of "Depeche Mode". The album opens with a total shock for fans, like the screech of brakes or a scratched record, followed by a distorted guitar howling alongside the raw and intimate vocals of Dave Gahan that refuse to let go of the listener. Are these really "Depeche Mode"? "I Feel You", the first single and opening track, brings the band closer to a rock sound than ever before. Some of the concerns are eased when "Walking in My Shoes" begins, bringing back the familiar synth-driven rhythms. It is a reflective song about judgment and empathy, with the vocals of Dave Gahan delivering the story and emotions with precision, while the iconic chorus blends the band’s past, present, and future. Two tracks function as calm electro-gospel pieces, "Condemnation", released as the third single, and "Get Right With Me". One of the most powerful and emotionally charged moments on the album comes with "In Your Room". The song went through several versions before reaching its final form, with Alan Wilder shaping its layered sound of synths, groove, and strings. The track builds tension throughout and explodes into a powerful climax, making it one of the most atmospheric moments on the album and one of Wilder’s personal favorites. Alan Wilder’s role on the album is expressed through unique additions that often gave the songs an unusual sonic character. His dominance is evident in the way he sampled live-recorded drums and turned them into loops using Cubase for "I Feel You". The album also features experimental techniques by Wilder, such as reversed piano at the end of "Mercy in You", and the use of pipes recorded with reverse reverb to create the feeling that the atmosphere is chasing the listener in the intro to "Judas". This track would later mark the beginning of the end for the band as a quartet, following bitter arguments between Alan Wilder and Martin Gore over its mix. Wilder would decide during the recording sessions that he was leaving "Depeche Mode", though it would only happen after the tour. Later, Wilder compared the tension within the band to what happened between members of "The Beatles" during the recording of "The White Album", saying, "we were at our worst as friends, but we made some of our best music". The album cover unusually features all four members together for the first and last time, and it’s impossible not to end on an emotional note. For Listening: Spotify, Apple Music "Face/Off" - Israel's Rock Blog Follow us on Facebook / Instagram or Subscribe to our website

On March 22, 1982, "Iron Maiden" released their third studio album, "The Number Of The Beast". This is the album that shaped the sound of "Iron Maiden", their breakthrough album to the US, the album that put them on the world metal map and their first album that really strives for perfection. So let's tell you 40 interesting facts about it: 1. The name of the song and the album title were influenced by bassist Steve Harris ' nightmare about the 1978 film "Damien: Omen II". The film dealt with a 13-year-old "Anti-Christ" boy. 2. This is the band's first album with singer Bruce Dickinson and the band's last with drummer Clive Burr . 3. It is also the band's only album to give writing credit to drummer Clive Burr . 4. It's also the first to give writing credit to guitarist Adrian Smith . 5. The album is one of three "Iron Maiden" albums, in which there is a "one-time" lineup that has not played on any other album. 6. This is the first time the band has entered the studio without any pre-written material. 7. Despite this, the album was written, recorded, and mixed from start to finish in just five weeks. A deadline that was set by the record company. 8. Due to Bruce Dickinson 's contractual commitment to his previous band "Samson", he was not allowed to get credit for writing the songs on the album. 9. Bruce Dickinson contributed quite a bit to the writing process, including songs: " Children of the Damned ", " The Prisoner ", " Run to the Hills " and " Gangland ". 10. During the recordings of the album, Bruce Dickinson contributed his vocals to the song "I'm on the Run" by the band "Krokus". 11. Rumor has it that the recording process was accompanied by supernatural phenomena and unexplained glitches. Recording equipment that wasn't working, lighting that turned on and off independently, and strange noises. 12. These rumors were fueled following an accident legendary producer Martin Birch had suffered during the recording of the album, in which a minibus of nuns was involved. The costs of repairing the damage amounted to £ 666. Birch finally paid £ 667 just to avoid encountering the "number of the beast". 13. The album provoked a great deal of anger among clerics and conservatives, especially in view of the album cover and the line "666 the one for you and me" from the theme song, which led people to believe that "Iron Maiden" is a Satanic band. The same people organized protest demonstrations in which copies of the album were burned. 14. The great protest provoked by the album led the band to plant a hidden message in the song "Still Life" from the next album " Piece of Mind ", in response. 15. Producer Martin Birch noted that working on the album felt to him like working on the album "Machine Head" of "Deep Purple". 16. The opening song " Invaders " was originally called "Invasion". It was rewritten by the band ahead of the recordings and deals with the conquest of England by the Vikings. 17. Bassist Steve Harris thought that the song was not good enough and that the only reason it entered the album, was that they just did not have enough time to write another song. 18. The song " Children of the Damned " was inspired by the horror films "Village of the Damned" And "Children of the Damned." In an interview with Bruce Dickinson from 2010, he noted that the song was influenced by the "Black Sabbath" song "Children of the Sea". 19. " The Prisoner " is based on the British mythological series from the seventies of the same name. 20. The spoken words at the beginning of the song are taken from the narration of Patrick McGoohan, from the original series itself. The band had to get his permission to use it in the recording. 21. The song " 22 Acacia Avenue " features the character of the prostitute "Charlotte The Harlot" from the band's first album - " Iron Maiden ". 22. The character will also appear in the songs " Hooks In You " from the album " No Prayer for the Dying " and " From Here To Eternity " from the album " Fear Of The Dark ". 23. On the cover of " Somewhere in Time " album, Eddie stands at "22 Acacia Avenue". On the back cover you can see "Charlotte The Harlot" in the red window above the pub. 24. The narration at the beginning of the theme song "The Number Of The Beast" is taken from the New Testament - "the Apocalypse of John" also known as the " Book of Revelation " 13:11-18. The number of the beast mentioned there is 6 + 6 + 6 = 18 as the number of the verse (18). 25. The band thought that horror film star Vincent Price would be the best fit as a narrator, but he demanded £ 25,000 for the recording. The band eventually compromised on Barry Clayton who also appeared in a number of horror films in the 1970s. 26. Bruce Dickinson 's creepy and famous scream at the end of the theme song's intro, was released from his throat due to frustration from producer Martin Birch 's repeated demands to play the opening over and over again. The scream was so good that Birch and the band decided to keep it. 27. " Run to the Hills " is the first single the band released with Bruce Dickinson . It is also the first of the band to enter the top ten in the British charts. The lyrics describe the white man's takeover of the American continent, with the first verse written from the Indian's point of view, while the second verse was written from the white man's point of view. 28. As the B-Side of the song "Run to the Hills", the band opted for " Total Eclipse ". The only song from the album sessions written in collaboration with guitarist Dave Murray . Later the band regretted not including the song on the album instead of " Gangland ". 29. That was corrected in 1998, when a new version of the album was released, including the song " Total Eclipse " between " Gangland " and " Hallowed Be Thy Name ". 30. The band released " Run to the Hills " again as a single in 2002, with the aim of raising funds to help drummer Clive Burr , who suffered from medical problems and multiple sclerosis. 31. " Hallowed Be Thy Name " depicts what happens in the head of the death row inmate, awaiting execution. 32. Steve Harris was influenced in writing the song from the 1974 song "Life's Shadow", by the band "Beckett". 33. The band sued "Iron Maiden" and the lawsuit ended in 2008 in a settlement in which "Iron Maiden" paid "Beckett" royalties. 34. The album cover was originally intended to serve as the cover of the single "Purgatory" from the album " Killers ", but when band manager Rod Smallwood decided to save it for the next full album. 35. After the release of the album, the band embarked on the second biggest tour of their career (the biggest was with the album " Powerslave "). During the tour, the band performed 184 lives shows in 18 countries, over 10 months. 36. Exactly nine years after the release of the album, on 22/3/93, the band released the excellent live album "A Real Live One". 37. "Dream Theater" released a Bootleg in 2006, with cover versions of the entire album from beginning to end. 38. "The Number of the Beast" is the album that puts "Iron Maiden" on the world metal map and is the band's first to reach number one on the UK charts. 39. This is the best-selling album among the band's albums, with sales of about 20 million copies worldwide. 40. The album is found in almost every self-respecting metal album rating list, but not only. For example, it's on the "1001 Albums You Must Hear Before You Die" list. 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A Sneak Peek.... And this time... prince and ambassador... (Photo: Cuppa Coffee Studios) On 21 March 2004, Ozzy Osbourne - the "Prince of Darkness", was voted the nation's favorite ambassador to welcome aliens to planet Earth. In a poll conducted among Yahoo readers following the discovery of water on planet Mars, Ozzy was chosen to represent the Earth to welcome aliens to our planet. Ozzy has defeated many good competitors, including US President George W. Bush, David and Victoria Beckham, and British Prime Minister Tony Blair. "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website

On March 21, 1977, "AC/DC" released their fourth album in Australia and their third internationally - "Let There Be Rock". This is the band's latest album with bassist Mark Evans who will be fired from the band two months after the album's release. It's amazing to think that just before the release of this great album the band was at the deepest low point of their career. In the middle of the tour to promote the album "Dirty Deeds Done Dirt Cheap", "AC/DC's" manager received a telephone call from the American branch of "Atlantic Records" informing him that the label did not like the album, and as a result, "AC/DC" was dropped from the label. However, rather than become overwhelmed by despair, the band decides to show "Atlantic" what a bitter mistake they made. They were going to create their greatest album to date!!! Angus Young, Malcolm Young , and Bon Scott , who wrote the eight songs on the album, with the help of Mark Evans and Phil Rudd, channeled all their rage and anger into the creation process, and it paid off hugely!!! This album features timeless rock anthems like the theme song " Let There Be Rock ", which title alone is worth an induction into the Rock n' Roll Hall of Fame. The song provides an alternative and fictional version of rock and roll history. It is inspired by a line from Chuck Berry's song "Roll Over Beethoven" that says: " ... tell Tchaikovsky the news ", "Let There Be Rock". Angus notes that during the recording of the song his guitar amplifier warmed up and almost burned, and Malcolm screamed at him not to dare to stop and continue playing. This passion that took place at the Albert Studio in Sydney, can also be felt four decades later. This song has been played in all the band's performances since 1978, and is always played at a higher speed than the album's version, during which Angus "burns" the stage with solos that sometimes reach up to 20 minutes in length. The first single released from the album was " Dog Eat Dog ", a sweeping boogie piece with a heavy and dirty riffת depicting the band's struggle in the music world where "dog eat dog". It is well known that "AC/DC's" road to glory was bumpy. It took years of hard work on the roads in live shows, but the real difficulty was dealing with industry people and record companies, and the title of this song captures that frustration. The third single released from the album is " Whole Lotta Rosie ", a song about an overweight Tasmanian woman named Rosie, with whom singer Bon Scott spent a night at the Freeway Gardens Motel in North Melbourne. He met her behind the scenes after a show held in Australia. she was called "Big Bertha", but Scott chose to call her "Rosie" in the song's lyrics. Beyond addressing Rosie's dimensions, Scott found her as one of the best mistresses he had ever had. It is interesting to note, that the music is influenced by Chuck Berry's "No Money Down". The band used to put an inflated huge balloon of the same "Rosie" on the stage, during the song performance. The album features other amazing songs like the opening song " Go Down ", which was influenced by one of the band's famous groupies Ruby Lips, which won the title of "super groupie" in Time magazine, " Bad Boy Boogie " a boogie song in three chords developed from jam sessions in the studio, the cult track " Overdose " whose lyrics combine Scott's two loves, drugs and sex and " Hell Ain't a Bad Place to Be " which bassist Mark Evans called the "Brown Sugar" of "AC/DC", a sweeping and energetic guitar song, despite its mid-tempo rhythm, which was recorded live in the studio, with almost no production intervention. "Let There Be Rock" is without a doubt the first, but certainly not the last, masterpiece of "AC/DC". The album elevated the band to the top echelons and turned it from a band of "songs" to a band of "albums". This album was an important step in the band's development process on its way to fame, and it can be said that it's the one that brought the change of perception in "Atlantic Records". It will win the band its first tour in the United States, where it will begin to build its audience, with a lot of hard work on the road and performances, until the American branch of "Atlantic Records" began to believe that the band has the potential to be highly successful in the United States. The rest is history... For Listening: Spotify , Apple Music . "Face/Off" - Israel's Rock Blog Follow us on Facebook  / Instagram  or Subscribe to our website